Recently, I purchased a new edition of J.R.R. Tolkien’s The Hobbit illustrated by Jemima Catlin thinking hey, this might be a great version to read to my nephew in the future or my kids if I decide to have any. I was taken aback when my copy arrived in the mail on Saturday.
You can’t discern it from the photo but this edition is heavy. Not heavy like a big leather bound version of The Lord of the Rings but more like a children’s book that would endure the abuse of being carried around by a child.
Not just in the title but in the tree Bilbo is leaning and and the animals on the right is bits of gold that really makes the cover stand out. The outside of the cover feels like felt, soft like a stuffed animal.
Each chapter begins with an illustration like this. I must admit this is one of my favorite illustrations of the green door of Bag End.
Larger illustrations like this are sprinkled throughout the chapters. What I enjoy about, and this is no way a jab at Peter Jackson or Alan Lee (who a lot of Peter Jackson’s designs and looks are based on) but I am glad all the characters don’t just look like imitations of the movie versions.

Considering The Hobbit, or There and Back Again as Bilbo names it, is actually written about Bilbo some people believe the stone giants were in fact made up by him.
Then in pages like this, with the battle of the stone giants, it spreads over the pages as if the words of the book are in the story itself. This similarly happens in the scene with Gandalf lighting the pinecones and throwing them at the wargs.

So soon they were all seated at Beorn’s table, and the hall had not seen such a gathering for many a year.
Then full page illustrations like this are done for big moments in the books like say, meeting a sleeping dragon. I’m not going to spoil that here as it is a nice surprise when you see it.
This isn’t a review of The Hobbit. I mean, the text is exactly the same as it is in any other volume of The Hobbit, except maybe The Annotated Hobbit. Where this volume stand out is the illustrations. If I were a teacher, this would be the volume I’d read to my kids to introduce them to the world of Middle-Earth and fantasy fiction. If I were a parent of a young reader this would be the volume I’d give them for Christmas or their birthday.
The binding is quality material, beautiful yet durable. The illustrations are beautiful yet still approachable for children and the story is of course a brilliant faerie (in the traditional sense of the realm of the fays) tale.