The Legacy of Robb Stark.

For viewers, it has been over three years since the Red Wedding episode, “The Rains of Castamere” of Game of Thrones aired on HBO. For readers, it was the year 2000 when A Storm of Swords first came out. For me, it was 2012 that I first read the third book in George R.R. Martin’s A Song of Ice and Fire series. While many have poured over every page dissecting every word for theories on where the series will go my To-Be-Read pile has only gotten bigger keeping me away from rereading the series until recently.

Robb Stark, the eldest son of Eddard Stark, has been ever present in my mind as I reread the series. Mostly, in relation to what has happened to the North after book three / season three and what has happened to Jon Snow in season six. Spoilers ahead.

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Should Book Readers Watch Game of Thrones’ Sixth Season?

On April 24th, for the first time since the show premiered, readers of George R.R. Martin’s A Song of Ice and Fire series will be completely in the dark about the fate of Westeros and its characters.

Martin recently announced that The Winds of Winter is not finished nor will it be in time for release before the premier of season six. As far as whether the next season will spoil the books Martin answers “Maybe. Yes and No.”

Season five saw the biggest divergence of the stories yet with the death of major characters that still live on within the books. Not only that but budgetary and time restraints has certain characters from the books completely absent from the show. So no, their stories will not be spoiled.

The bottom line is that all the most beloved characters will have their stories spoiled for readers of the series. That includes Tyrion, Jaime, and Cersei Lannister, Arya, Sansa, and Bran Stark (Maybe Rickon too?), Daenerys, her dragons, and all of Meereen. The Greyjoys, the Martells, the Boltons, the Baratheons, the Tyrells, the Night’s Watch, the Brothers Without Banners, The Wildlings, and even the Others will all have their stories spoiled. The amount of characters free of being spoiled is negligent compared to this amount.

Readers are then left with a decision, to continue or stop watching Game of Thrones. With HBO looking to renew Game of Thrones for up to eight seasons that leaves those on the fence with some math to consider. It is likely that within those three years The Winds of Winter will be released, but what of the final book in the series A Dream of Spring? That might likely not be released until after the series has ended, based on the time the sixth book has taken to release.

So are you, dear A Song of Ice and Fire readers, able to resist not only spoilers for three years as the show airs but also five years and change for the release of the next two books?

Let’s be clear, A Song of Ice and Fire has a huge audience but the show’s is even larger. It’s not simply a series you watch but a social event that you discuss. To avoid spoilers for five years plus may ostracise you socially unless you fill that void by talking about other shows, events, and sports that take up pop culture. That’s an extreme view of it, you may go about your life avoiding spoilers all the times like it’s no big deal. It’s not like Game of Thrones is always publically discussed

It’s not like Game of Thrones is always publically discussed, covered constantly by the media, or posted about across social media. It’s not as if HBO releases a string of trailers and preview for seasons that recap the previous ones while discussing upcoming ones. It’s not as if the amount of spoilers released between the time of the first Star Wars: The Force Awakens teaser and the time of its release are any indication of the difficulty it will be avoiding spoilers.

That’s one year. One year between the teaser and the release of Episode VII. In that time, it had two localized trailers, an international trailer, a teaser, and television footage. It’s actually quite remarkable how we collectively agreed as a fandom not to spoil the movie for each other.  Can your recall Game of Thrones viewers

Can you recall Game of Thrones viewers being that kind? Were you one of those who lorded over your knowledge from the book to your friends? Did you record their reactions to the Red Wedding? Do you think they may be petty enough to get their revenge? Seeing videos of people reading books while their friends cackle in the background doesn’t sound as exciting.

Still, this may be an opportunity for the showrunners to completely diverge from the direction of the books. They may have no choice with the elimination and death of certain characters. HBO may get their wish, in the end, to have a season nine happen giving Martin more time to release the next two books. Even less likely, but not impossible, is Martin may have A Dream of Spring better planned out in his head as he envisioned the series ending after three books, then five, and now seven (and even contemplated an eighth book.)

No matter the outcome, some spoilers are inevitable. You’ll have to decide if you will remain unsullied or not from them.

 

A Problem: “It’s Game of Thrones. They’ve got to kill someone.”

Recently, Ian McElhinney voiced his disappointment about the fate of his character, Barristan Selmy in season five of Game of Thrones. One of the top comments I saw on social media stated “It’s Game of Thrones. They’ve got to kill someone.”

That might be a problem. After watching season five, you could imagine that same comment coming from the writer’s rooms. “Well, it’s Game of Thrones. We’ve got to kill someone.”

Let’s leave the differences from the books out of it for now. Focus on that perception of the show. If you’re constantly trying to raise the stakes and shock the viewers by eliminating characters, you’re entirely missing the point. What you want to do is put your characters is more dire consequences.

Okay, I lied, I’m going to talk about the books. This is exactly what happens to Barristan Selmy towards the end of the A Dance with Dragons. Daenerys is missing  and as the Lord Commander of the Queensguard he left not only to uncover a conspiracy by her husband Hizdahr zo Loraq (Also killed off) but prepare for oncoming armies head for Meereen.

The show should be building tension and not desperately trying to shock. That is what felt off about season five of Game of Thrones. They’re are, in a sense, desensitising us all to the shock that shook us in all when Ned Stark and Khal Drogo died in season one. No one is going to care anymore if all you do is kill off characters.

Featured image: Ser Barristan – by Mike Capprotti ©

Appreciating A Clash of Kings by George R.R. Martin

Most people, when talking about the A Song of Ice and Fire series by George R.R. Martin, rank A Feast for Crows as the least interesting followed by A Dance with Dragons.

The first time through though. the second book in the series, A Clash of Kings, bored me in every chapter that wasn’t a Tyrion or Davos chapter. It’s not the book’s fault but a fault of my own.

You see, I have this problem when it comes to reading. Every time I try to read a series in succession I grow bored, no, restless during the second book. It becomes hard for me to concentrate and I always end up putting the book down, especially since I’ve figured out this flaw, and picking up a different one. I think it might stem from my A.D.D. (which I was diagnosed for, not just the many people claiming to have it) but I can’t be sure.

Besides A Clash of Kings other victims of this dilemma include the second Mistborn book, The Well of Ascension by Brandon Sanderson, The Restaurant at the End of the Universe by Douglas Adams, The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle, and even The Two Towers by J.R.R. Tolkien. It’s just when Sam and Frodo are climbing down the elven rope that I put it down though unlike the others listed I picked it back up shortly after. Spoilers ahead. 

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Never Going to Watch HBO’s The Leftovers.

In The Leftovers, based on the novel by Tom Perrotta and developed by Damon Lindelof (Lost, Prometheus) a mysterious, a event has occurred making 2% of the world’s population disappear. Both the Perrotta and Lindelof have said here and here have said it isn’t about the mystery but about how the characters react and change to it.

That’s well and good but it isn’t the kind of storytelling for me. I need both, character development and answers to the mystery. The whole point of even having a mystery in a story is to eventually answer it. What Lindelof loves doing instead is using the mystery in order to explore his pseudo philosophy about the meaning of life, a mystery that he cannot answer. I already have a story like that, we all do, it’s called life and I am not looking for the ambiguity of life in the stories I consume. The problem I have with his style of writing is either he doesn’t answer the question or the answers he provides are so anti-climactic (Lost & Prometheus) that I am left feeling like I wasted my time. The fear of their time being wasted, in my personal opinion, is why people hate spoilers. When you spoil a story for someone you’ve essentially taken the joy of discovery away from them thus watching, reading, listening to it is now a waste of time. With Lindelof everything I have watched by him makes me feel like I’ve wasted my time because his character development doesn’t connect with me, his protagonist often coming off unlikable, ineffectual and his answers are either not there or disappointing.

Modern mystery and thriller novels have the opposite problem. All the stories has is answers, answers I’ve usually figured out early into the book. Without the character development in their protagonist the journey to the answers I already guessed isn’t very interesting to me.

Plus, what I don’t understand is what does that character development even mean if there is no resolution or a poor one? What makes it matter? That’s not what interests Lindelof as a writer. So I am not interested in his writing and I am not going to waste my time with The Leftovers.