The Possibilities of a New Persona Fighting Game

If the rumors are true and they are doing another Persona fighting game, like Persona 5 Arena or whatever they’re going to call it, just the Persona users alone from the various P5 games make up a good roster.

You got from Persona 5/Royal:
Ren – Joker
Morgana – Mona
Ryuji – Skull
Ann – Panther
Akechi – Crow
Yusuke – Fox
Makoto – Queen
Futaba – Navi
Haru – Noir
Kasumi – Violet
Dr. Maruki

From Persona 5 Strikers:
Sophia – Sophie
Zenkichi – Wolf

From the new mobile game Persona 5 Phantom X:
Protagonist – Wonder
Luffy the Owl – Cattle
Motoha – Closer

And there appear to be some other Persona users in the game who are not part of the main cast that could be good playable roster members. The game hasn’t come out yet, so it’s difficult to say.

Then Persona 5 Tactica appears to have a new playable character named Erina, though I don’t know if they’re a Persona user yet.

Plus, since Persona 4 Arena had attendants as playable characters, I imagine they’ll do two for this one—Caroline & Justine as a duo character and then Lavenza.

Since Persona 4 Arena had original characters, too, I imagine a P5A game would do the same. So likely a new original Phantom Thief and a new original Palace user who is also a Persona user, like Dr. Maruki (who would give him a reason to be involved, maybe).

So that’s 21 roster members right off the bat, throw in characters that appeared in P4A, and that’s a stacked roster.

I can easily imagine them using Mementos as a sort of tower of fights you go through, as that had many layers, and each one is never the same when you go to it, perfect for randomizing the battle in an Arcade More or some such.

If there is a new Phantom Thief, I would prefer it instead of it being a random unknown person; they make Shiho a phantom thief. The game can take place after enough time that Shiho has recovered and is in her new school, and she can have the emotional growth to want to stand up for what she believes in a way that will awaken a Persona within her.

Honestly, the setup is straightforward, with lots of characters to choose from, and the concept of palaces could continue the story. P5 is stylish and has plenty of characters and hooks you can pull to make a great fighting game and continue the Phantom Thieves’ story.

The hardest part will be the gameplay. People will expect whoever is developing it, I assume ArcSystemWorks, to improve upon Arena’s gameplay without straying too far from it. Maybe they should, though; P5 is a very different beast than P4. Perhaps gameplay built from the ground up is a better idea. Possibly being a tag fighter would be better, considering the importance of the baton pass in Persona 5’s battles.

Whatever direction they take, I hope the rumor is true. I love Persona 3 and 4, but 5 was my first, and from my perspective, it’s always someone’s first Persona they’re attached to the most. On top of that, I love fighting games, and even though last year they released Persona 4 Arena Ultimax with a rollback netcode, not many people were playing it, and those who were far outranked me in experience in the game. Therefore I’d love to get a new Persona fighting game to start fresh with.

What’s So Exciting About Book Adaptations?

Patrick Rothfuss’s “The Kingkiller Chronicle” was recently optioned by Lionsgate for not just a movie, not just a TV, and not just a video game but all three. This has caused a stir amongst fans of the book all across the social media landscape while people who’ve never read the books are shrugging as they read this.

Put your favorite book in place of “The Name of the Wind” and imagine how you would feel. Are you excited? Finally, that book you fell in love with is going to be a movie, a television show, and a video game. It’s exciting news! Why though?
The readers who make up a fandom around a certain series have become savvy to how books become movies, TV shows, and video games. We’ve also seen how those adaptations can disappoint. I’ve written extensively on why our expectations for adaptations can be harmful, often expecting too much or maybe too hard to it without understand how these adaptations are made.
I don’t stand alone with the knowledge of the arduous process of making these projects nor have I entirely kept my Sword of Adaptation Criticism sheathed in regards to the last two seasons of “Game of Thrones.” The news of Patrick Rothfuss’ deal did beg the question, once my own excitement died down, why do we get so excited for news about adaptations in the first place?

The reality is: Do you have a favorite character? There’s a chance he or she may be cut from the script. Do you have a scene that cry every time you read it? Or feeling a swelling in your chest when that satisfying moment comes on the next page? It might not make it in there at all. That line from the book you quote all the time? It might be said by a completely different character because the one that originally said it was cut and now one word of it was changed so it’s just a little bit off from the original. That line though is of course everyone favorite who has seen the movie / show so you have to hear it said wrong all the time and attributed to someone completely different. Lucky you! That subplot you thought really developed the protagonist, the one that really got into his head, well there’s no time for that anymore.

These are just some of the pitfalls of adaptations. It’s not like the author can write the scripts, pick the casts (though sometimes they have a hand in that), designs the settings, costumes, and props. He or she is too busy writing their next book. Even if the author took the first crack at the screenplay there could be three others who rewrite next, and all of them have their own perspective on the series.

Just look what happened with the screenplay adaptations of the Harry Potter books. Steve Kloves may have set JK Rowling at ease when he told her Hermione was his favorite character, but he made the trio completely unbalanced by giving Hermione all of Ron’s best moments and dialog in addition to her own shining moments.

The fact is there is going to be change when it comes to the adaptation, and a lot of fans of the books are not going to like it. So why do we get excited at the prospect?
Because, and I think a lot of readers will agree, when you love a book you want others to love it too. Adaptations are the easiest gateway to that. I have many friends who decided to read “The Lord of the Rings” and “A Song of Ice and Fire” because of the Peter Jackson’s trilogy and the HBO series. As a result it has led to many great discussions and conversations about them to an English Major like myself, nothing is better than discussions about books.

Also, there is a bliss that comes when they get it right. I remember that feeling watching the pilot for “Game of Thrones” from the beginning when the gates to Castle Black opened to the end when Jaime Lannister lamented the things he does for love. Imagine that opening scene when we’re introduced to the Waystone Inn in whatever “The Kingkiller Chronicle’s” adaptation becomes is exciting. We want to see the world we imagine for so long.

The second question I asked myself after I asked why do we excited is why do we need adaptations? There’s a reason why writers need adaptations. Financially, being a novelist is chaotic. There is no steady pay but peaks and valley. If you’re a writer and you are entering that valley period an optioning deal may be what keeps you afloat. For readers, though, why isn’t the book enough? I’m speaking generally, of course, because there are definitely people out there that don’t feel the need for the adaptation and they’re self-aware enough to not indulge. If the story is still ongoing, it’s a chance to get more. If the story is over, it’s a chance for it to be revitalized for a new audience and for the reader to relive the experience.

It may not seem like it, but we want to like adaptations. Who doesn’t want new favorite movie or show? How nice is it to turn on the TV and see a story we love on it? We want more of the story and the world. That’s why it is exciting, the prospect of more of that story that make us happy.

Featured image “Wise Man’s Fear” by Marc Simonetti. 

My Introduction to Lore: The Legend of Zelda.

Recently I read this article by Phil Owen on io9 titled I Care About Star Wars Because It Introduced Me To ‘Lore.’  In it he says:

“For me and many other fans, Star Wars is not a series of movies but a setting, a place. And Star Wars was the first property I enjoyed growing up where should I want more stories in its settings I could always have them. And it wasn’t a case of, as it is in many game franchises praised for having lots of lore, characters in a book telling us about past events or info in a codex — nearly all the lore was in books or comics somewhere.”

And I thought, “yeah, Star Wars was definitely the first time I cared about the world of a property beyond its main storyline. That was until I received this in the mail:

Master Sword, yo.

The Legend of Zelda: A Link to the Past Graphic Novel by Shotaro Ishinomori.

This is a graphic novel, a reprint of a comic that was both printed in Nintendo Power then collected into a paperback in the 90’s. I found the paperback version shortly before The Legend of Zelda: Ocarina of Time came out.

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