Changing The Dark Tower Pt. II – Wizard & Glass

In my original post I said that Father Callahan should join Roland’s second ka-tet in The Waste Lands at River Crossing. Now that I’ve reread Wolves of the Calla I see I’ve made myself some problems by moving where he is introduced, so let’s fix them now.

Last chance before spoilers.

Last chance before spoilers.

 

The Waste Lands.

After hearing how Father Callahan got to Mid-World / End-World again in Wolves this story could fill the space that was originally the drawing of Jake into Roland’s world that I moved to book three. This will further strengthen the importance of the Rose in the vacant lot and be the part that reveals Marten / Randall’s background influence. (note: in my last post I eliminated the Walter / Marten / Randall confusion of all the names. There’s only Marten Broadcloak = Randall Flagg.)

Instead of Marten pushing him through a door in the Way Station to Calla he can do it the other way around. Black thirteen says on the Calla side, discovered by the Manni and it is they who beg for Roland and his Ka-tet to take it. Then with Randall’s remarks about having to “get ahead of them again” referring to Roland and Jake in The Gunslinger he goes through a door, Callahan follows and ends up in River Crossing.

Now you have two people talking about the vacant lot, the Rose, that area of New York, and now we get the introduction of the Low Men way ahead of time so there introduction later doesn’t come out of nowhere.

Wizard and Glass.

The fourth novel gets a blog post all on it’s own because it’s the one that needs the most change.

What should of been the most important Dark Tower book besides the last one turned out to be the worst, not only because Roland’s story of his first love drags but reveals so little of his past that is relevant to his quest for The Dark Tower until the very end. If it were me, I’d change this whole novel as it does not answer any important questions.

1.) What happened to Alain and Cuthbert? When did they become Gunslingers themselves? When did they die?

2.) How did Gilead fall?

3.) What happened to Steven Deschain?

4.) Again, why does Roland want to go to the Dark Tower at all?

5.) Why should I care about John Farson’s scheme here if we never meet him and never see him destroy the Affiliation?

Don’t say these questions are answered in the comic book because of a.) whether they are canon are not is in question b.) that is the biggest cop-out I’ve ever heard. If it’s part of the story it should be in the series of novels and not in some side story in the comics written by someone else.

The introduction of Merlyn’s Grapefruit, the tragedy of Susan’s death, and Roland having to choose between saving her and The Dark Tower after he sees it in the Grapefruit is not enough to justify this long winded, desperate in need of an editor, side story. All the things this novel does with developing Roland and his first ka-tet could have been done on their quest for the Dark Tower. This isn’t even his full ka-tet, there are at least two others that he mentions but we never learn anything about until The Wind in the Keyhole. 

Let’s say this story has absolutely be told, it still needs to be changed. That first session between Rhea of the Coos and Susan Delgado is disgusting. I’m no prude but this story should begin with her heading home with brief mentions of seeing the Grapefruit through Rhea’s window. I don’t need this eternal debate about being disgusted by Rhea molesting her and her being horny when she meets Roland. I’d rather her learning to masturbate by rubbing her clitoris be cut, but I can tolerate that more the descriptions of Rhea’s disgusting hands on Susan.

In fact, most of the parts giving Susan’s point of view can be cut. Are we supposed to assume Roland learned all these parts of the story from the Grapefruit at the end? It’s not needed. The whole will they / won’t they part of the story drags on for too long.

The worst part of the novel is the antagonists of this novel, The Rhea of the Coos, the Big Coffin Hunters, and Susan’s aunt, Cordelia Delgado are most compelling and interest villains than any we’ve gotten so far or will get afterward. All in a story that barely matters to Roland’s quest. Why couldn’t Randall Flagg be more fleshed out for this story? Why can’t Modred, or the Crimson King? In fact, why can’t Randall Flagg and the Crimson King be in it? That would at least play into the lore of the series. King tried way too hard to make this a stand-alone novel, and I had the privilege of reading all these novels at once in 2007-2008. I can’t even imagine what it was like reading this book when it came out after waiting for years to get it.

Then Roland finishes his story and we get back to present day. This was easily the best part of the novel but what was the point of bringing back the Tick-tock Man from book three if he was barely a threat? Is King even trying to write a western mixed with fantasy? A Mexican stand-off would have been better but all we get is Eddie and Susannah gunning him down without effort in a parody of the Wizard of Oz.

Then we finally get the reveal after Roland and his ka-tet have been in the aftermath of King’s The Stand a confrontation with Marten Broadcloak himself and the reveal that he is, in fact, Randall Flagg. This confrontation is great if you don’t know what happens in the rest of the books because there is a promise of a future confrontation that never happens.

You can navigate to the other parts from here:

Changing to The Dark Tower – Part I – The First Three Books

Changing to The Dark Tower – Part II – Wizard & Glass

Changing The Dark Tower – Part III – Wolves of the Calla

Changing the Dark Tower – Part IV – The Song of Susannah

Changing The Dark Tower – Part V – The Final Book & Mordred: All Hyper, No Substance

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Marvel: Don’t let Spider-Man Go to Your Head.

We’re all excited Spider-Man is going to be in Marvel Cinematic Universe starting with Civil War but the link to the io9 article brings up some good questions.

“How much creative control does Sony have? Does Marvel have any input into the Sony-produced movies? Can Sony use parts of the MCU in return? Will the studios skip the origin story this time around?”

Let’s not forget an important fact, Sony still has the rights to Spider-Man, this is just an agreement and until we get more details who knows if they can pull out on this deal at any time. I mean, what did we learn from Sam Raimi about making a Spider-Man movie, and we’ll probably here this about Amazing Spider-Man 2 in the coming years, Sony executives can’t keep nose out of the creative process when it comes to these movies. The fact that their still going with that Sinister Six movie they have planned, although will probably now have Spider-Man in it, doesn’t make me feel any less cynical about this.

The other part people should remember, if Marvel Studios had the rights to Spider-Man when we started this business of a shared universe, and hey let’s throw the X-Men in there too, we probably wouldn’t have Iron Man, Captain America, Thor or the Avengers. At least, not yet.

Before Jon Favreau and Robert Downey Jr. brought Iron Man to the big screen he was not a popular character or a big draw. In fact, the Avengers only a resurgence in the comics, thanks to Brian Michael Bendis, three years before the first Iron Man movie came out.

Also, I’m sure a lot of people have forgotten but nobody thought the first Iron Man movie was going to be any good. Statements likes Downey Jr. being washed up, Jon Favreau being inexperienced with directing, Iron Man not being a viable character were thrown out there. Marvel Studios success and all their plans were relying on this movie and all because they couldn’t rely on their biggest characters.

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So when they announced Thor: Ragnarok, Black Panther, and Captain Marvel, three films I am far more excited for,  were pushed back my first reaction was definitely pessimism.  Sure, Kevin Feige has the whole three movies a year rule but until I hear or read from him that this was the reason for the push back I can’t get the idea out of my mind they did this to please Sony.

Think about this, if Marvel had Spider-Man from the beginning we probably never would have had Guardians of the Galaxy. I mean, which movie would you make? Another Spider-Man film or who the hell are the Guardians of the Galaxy? Yet that movie, in my mind, was far superior to any of the Spider-Man films so far.

Here’s my hope for the deal. It goes a little something like this: Sony now handles part of the marketing, makes a big part of the profit, but is otherwise hands off. They get no say on what happens to Spider-Man in his guest appearances and no creative control over the movie because if it was up to them they’d put Venom in every movie and each movie would have 23,095,480,324,587,102,935 characters.

So Marvel Studios, don’t forget Spider-Man didn’t bring you success. It was your less popular characters that did so because you didn’t have a choice. You had to make great movies because you couldn’t rely on the name alone. DON’T FORGET.

Louis CK’s Live at the Comedy Store is a Concept Album and an Inside Joke.

Since 2006 with Shameless Louis C.K.’s been producing some of the best stand-up comedy specials. When I downloaded his new special Live at the Comedy Store and watched it several times over three days I thought “Oh no, this is good but not great.”

What I thought about changed when I read this article from Wired Magazine, Louis CK’s Latest Email Is a Fantastic Elegy to Comedy Clubs. According to Vulture  Louie “has described this new special as a tribute to the workshop tradition of comedy-club material.”

“Oh,” I thought, “So it’s like when a band makes a concept album or a group of friends has an inside joke.” Essentially, unless those previous specials this one is more of an experiment. He’s trying to capture what it’s like when you’re developing a setlist at a comedy club and you’re trying out the material in front of a tough crowd.

You can definitely tell. Some jokes are riffed, some are honed material, and others feel like he’s trying them for the first time. He’s not afraid to go off the rails or be silly. The only thing missing is crowd work but C.K. might not be the type of comic.

Still, unless you’re reading his e-mails on his mailing list closely, have a deep knowledge of the stand-up comedy business or are a stand-up comedian yourself you may download this special and not understand what’s he doing. That’s where the idea of it being an inside joke popped into my head. Like an inside joke, this special could be ostracizing to the casual viewer. Then again, considering the sales of the special I don’t think this will matter much in the end.

I just don’t think in the long run, this special will be as appreciated or seen as one of his best. However, I’d rather he try new things then try to stay the same.

 

Changing The Dark Tower – Part I – The First Three Books

When I first read Stephen King’s opus, The Dark Tower, I was much younger and eating through books like gravy and mozzarella covered curly fries while drunk in a diner. I was not yet a writer so my opinions on storytelling was much different.

As I am going through them again I am noticing their flaws. I still cherish this story but some of King’s decisions are strange and I think part of the problem is how long it took to finish the seven original novels.

Granted, this is just my opinion. I am sure some people believe the story is perfectly fine as it is. I am also sure, having done writing myself, that Stephen King is not lying when he talks about how difficult it is channeling Roland’s story and how the story wrote itself when he can.

Still, here’s what I would change going in chronological order of the books starting with books 1-3.

The Gunslinger

– Let’s start with the problem of Marten Broadcloak / Walter Padick / Randall Flagg. I like the idea of Randall Flagg being a cross-dimensional villain in Stephen King’s books but all the names and different identities are excessive. Marten Broadcloak is Randall Flagg is the Man in Black that flees across the desert. No Walter O’Dim, Walter Padick, and all the other names he goes by. It’s just too much.

– Plant more seeds for the Crimson King here. He’s mentioned once by a throwaway character in this book and then we never hear his name again until book four and only on some graffiti.

– All the information doesn’t have to be given at once but more insight into what Roland intends to do when he gets to the top of The Dark Tower should be foreshadowed here.

The Drawing of the Three

– If Nineteen is going to be a reoccurring theme, then start with it here.

– Give the readers hints that Marten (no longer Walter) is not really dead.

The Drawing of the Three / The Waste Lands

– The Drawing of the Three is by far the best book of The Dark Tower series but the best ending for this book is the part one of The Waste Lands. Jake Chambers should have been drawn to Mid-World in the second book. The reunion scene between Jake and Roland was the catharsis readers needed for all that tension in book two.

– Plus, now we learn the Ka-Tet will be following the path of the beam in book two rather than waiting until book three.

The Waste Lands

– With the drawing of Jake in book two where it belongs book three can end where it should, with the beginning of book four and the end of Blaine the Mono.

– Without the drawing of Jake in this book the story is kind of lacking. What it needs is more development of the overall plot. Like in the last book let’s get a glimpse of Marten’s / Randall’s point of view.

– It takes way too long to get to the plot of Susannah’s pregnancy, and not only diminishes this conflict but Mordred as a villain overall. Let’s start addressing it here.

– As early as River Crossing or somehow in the city of Lud let’s have the group find out there is something wrong with the beams rather than later on in the series. It’ll make the journey to the tower more urgent.

– Even more nineteen, that way close readers will start to see the patterns but casual readers will still be surprised in book five.

– With what horrors Roland and his Ka-Tet see in the waste lands, let’s acknowledge that they’re probably from the Prim, the primordial chaos where demons in Roland’s world comes from.

You can navigate to the other parts from here:

Changing to The Dark Tower – Part I – The First Three Books

Changing to The Dark Tower – Part II – Wizard & Glass

Changing The Dark Tower – Part III – Wolves of the Calla

Changing the Dark Tower – Part IV – The Song of Susannah

Changing The Dark Tower – Part V – The Final Book & Mordred: All Hyper, No Substance