The Legacy of Robb Stark.

For viewers, it has been over three years since the Red Wedding episode, “The Rains of Castamere” of Game of Thrones aired on HBO. For readers, it was the year 2000 when A Storm of Swords first came out. For me, it was 2012 that I first read the third book in George R.R. Martin’s A Song of Ice and Fire series. While many have poured over every page dissecting every word for theories on where the series will go my To-Be-Read pile has only gotten bigger keeping me away from rereading the series until recently.

Robb Stark, the eldest son of Eddard Stark, has been ever present in my mind as I reread the series. Mostly, in relation to what has happened to the North after book three / season three and what has happened to Jon Snow in season six. Spoilers ahead.

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Should Book Readers Watch Game of Thrones’ Sixth Season?

On April 24th, for the first time since the show premiered, readers of George R.R. Martin’s A Song of Ice and Fire series will be completely in the dark about the fate of Westeros and its characters.

Martin recently announced that The Winds of Winter is not finished nor will it be in time for release before the premier of season six. As far as whether the next season will spoil the books Martin answers “Maybe. Yes and No.”

Season five saw the biggest divergence of the stories yet with the death of major characters that still live on within the books. Not only that but budgetary and time restraints has certain characters from the books completely absent from the show. So no, their stories will not be spoiled.

The bottom line is that all the most beloved characters will have their stories spoiled for readers of the series. That includes Tyrion, Jaime, and Cersei Lannister, Arya, Sansa, and Bran Stark (Maybe Rickon too?), Daenerys, her dragons, and all of Meereen. The Greyjoys, the Martells, the Boltons, the Baratheons, the Tyrells, the Night’s Watch, the Brothers Without Banners, The Wildlings, and even the Others will all have their stories spoiled. The amount of characters free of being spoiled is negligent compared to this amount.

Readers are then left with a decision, to continue or stop watching Game of Thrones. With HBO looking to renew Game of Thrones for up to eight seasons that leaves those on the fence with some math to consider. It is likely that within those three years The Winds of Winter will be released, but what of the final book in the series A Dream of Spring? That might likely not be released until after the series has ended, based on the time the sixth book has taken to release.

So are you, dear A Song of Ice and Fire readers, able to resist not only spoilers for three years as the show airs but also five years and change for the release of the next two books?

Let’s be clear, A Song of Ice and Fire has a huge audience but the show’s is even larger. It’s not simply a series you watch but a social event that you discuss. To avoid spoilers for five years plus may ostracise you socially unless you fill that void by talking about other shows, events, and sports that take up pop culture. That’s an extreme view of it, you may go about your life avoiding spoilers all the times like it’s no big deal. It’s not like Game of Thrones is always publically discussed

It’s not like Game of Thrones is always publically discussed, covered constantly by the media, or posted about across social media. It’s not as if HBO releases a string of trailers and preview for seasons that recap the previous ones while discussing upcoming ones. It’s not as if the amount of spoilers released between the time of the first Star Wars: The Force Awakens teaser and the time of its release are any indication of the difficulty it will be avoiding spoilers.

That’s one year. One year between the teaser and the release of Episode VII. In that time, it had two localized trailers, an international trailer, a teaser, and television footage. It’s actually quite remarkable how we collectively agreed as a fandom not to spoil the movie for each other.  Can your recall Game of Thrones viewers

Can you recall Game of Thrones viewers being that kind? Were you one of those who lorded over your knowledge from the book to your friends? Did you record their reactions to the Red Wedding? Do you think they may be petty enough to get their revenge? Seeing videos of people reading books while their friends cackle in the background doesn’t sound as exciting.

Still, this may be an opportunity for the showrunners to completely diverge from the direction of the books. They may have no choice with the elimination and death of certain characters. HBO may get their wish, in the end, to have a season nine happen giving Martin more time to release the next two books. Even less likely, but not impossible, is Martin may have A Dream of Spring better planned out in his head as he envisioned the series ending after three books, then five, and now seven (and even contemplated an eighth book.)

No matter the outcome, some spoilers are inevitable. You’ll have to decide if you will remain unsullied or not from them.

 

A Problem: “It’s Game of Thrones. They’ve got to kill someone.”

Recently, Ian McElhinney voiced his disappointment about the fate of his character, Barristan Selmy in season five of Game of Thrones. One of the top comments I saw on social media stated “It’s Game of Thrones. They’ve got to kill someone.”

That might be a problem. After watching season five, you could imagine that same comment coming from the writer’s rooms. “Well, it’s Game of Thrones. We’ve got to kill someone.”

Let’s leave the differences from the books out of it for now. Focus on that perception of the show. If you’re constantly trying to raise the stakes and shock the viewers by eliminating characters, you’re entirely missing the point. What you want to do is put your characters is more dire consequences.

Okay, I lied, I’m going to talk about the books. This is exactly what happens to Barristan Selmy towards the end of the A Dance with Dragons. Daenerys is missing  and as the Lord Commander of the Queensguard he left not only to uncover a conspiracy by her husband Hizdahr zo Loraq (Also killed off) but prepare for oncoming armies head for Meereen.

The show should be building tension and not desperately trying to shock. That is what felt off about season five of Game of Thrones. They’re are, in a sense, desensitising us all to the shock that shook us in all when Ned Stark and Khal Drogo died in season one. No one is going to care anymore if all you do is kill off characters.

Featured image: Ser Barristan – by Mike Capprotti ©

Jorah Mormont’s Redemption Won’t Be Worth It.

Spoilers for all of Game of Thrones and all of A Song of Ice and Fire up to now, right up front.

Last chance before spoilers.

Last chance before spoilers.

Jorah Mormont, played by Iain Glen on the show, is an exile from Bear Island due to selling poachers on his land to slavers. When the show begins he attends Daenerys Targaryen and Khal Drogo’s wedding as a spy for Varys, sending back information about the exiled Targaryens in hope of earning a royal pardon.

He eventually falls in love with Daenerys, saves her life from poisoning, and stop sending back reports to Varys fully committing himself to his khaleesi. The problem is, and this is where her point-of-view chapters from the books benefit, is that he sees her as both a child and as someone he wants to bed. She needs him to see her as a queen.

It feels like Emilia Clarke’s Daenerys knows this but we cannot be sure. Unlike the beginning of A Storm of Swords, Jorah never has this big reveal of his love for her until it is too late. This doesn’t make Jorah any less a creep, as the audience knows he secretly loves her through Viserys’ reveal in season one, his fatherly protection of her in seasons two and three, and his jealousy of Daario in season four.

On the show, Tywin Lannister uses the royal pardon that was promised to Jorah to separate the two of them. In the book, it is Barristan Selmy who reveals this fact and the two of them have to prove their loyalty to Daenerys by breaking into Meereen. In either medium she both rejects him and exiles him from her presence.

This leads us to Sunday’s episode Sons of the Harpy in which Ser Barristan Selmy is killed by the Sons of the Harpy,  a group of insurgents fighting against her rule in Meereen. Meanwhile, Jorah has kidnapped Tyrion in Volantis.

The death of Barristan Selmy was a surprise and an annoyance. Not because it was different from the books, that’s only part of it. Some of Barristan’s best moments in the series comes at the end of A Dance with Dragons and thanks to  D.B. Weiss and David Benioff we’ll never see them. Is it the biggest deal? No, but it makes the plot for the rest of the season really predictable.

Without Barristan, Daenerys is without a close advisor. Who should happen to be heading back her way but good ol’ stalker creep Jorah Mormont with Tyrion in tow doing whatever he can to earn his way back into her good graces by bringing her one of her enemies.

He’s going to arrive, and Tyrion is going to betray him instantly. He’s going to spin a clever tale that’ll make him her new advisor and put Jorah right into the fighting pit, and will try to save Daenerys when Drogon returns. Of course he won’t be needed, this is when Daenerys will finally mount Drogon and fly with him leaving Jorah behind to take care of Meereen along with Tyrion. Uh oh, the hijinks that will ensue. In the books, Tyrion and Jorah had not yet arrived but Barristan was there to take care of Meeren as Lord Commander of her Queensguard when she takes off. All those moments he has, and it does involve the Sons of the Harpy, will now be Jorah’s.

That’s not all Jorah will do. Before he meets Jorah, Tyrion travels with Jon Connington, Rhaegar’s former best friend who contracts Greyscale rescuing Tyrion as they pass Stone Men, a group of people infected  by the disease that they pass. Gee, Greyscale sure has mentioned an awful lot this season. I wonder if that’s relevant? For Jorah Mormont I bet it will be.

What better way for the show-runners to redeem Jorah by

  1. Infecting him with a fatal disease
  2. Bringing a beloved character (Tyrion) to another beloved character (Daenerys)
  3. Fighting to the death in the fighting pits until…
  4. Drogon arrives and he tries to protect Daenerys then…
  5. Gets all the badass fighting scenes defending Meereen while the queen is away.

I can understand cutting Jon Connington and his story from the show, and even giving part of that story to Jorah but he is not so great a character that it was worth losing Barristan Selmy, the only good person left in the show who

  1. Both Eddard Stark and Jaime Lannister revere.
  2. Who told off King Joffrey just after the boy king cut off Eddard’s head.
  3. Who Tywin Lannister thought dismissing Barristan was a dumb move.
  4. Who was the only one not to attack Eddard in the throne room and
  5. Questioned Cersei’s dismissal of Robert’s last requests.
  6. Kills the gold cloaks that go after him to prevent him from leaving King’s landing.

Some of these scenes don’t make it to the show, along with the ones that will occur after his death, and all for the sake of redeeming Jorah Mormont. I don’t mind changes from the book but that’s not going to stop me from criticizing bad storytelling. If my prediction for Jorah Mormont is right, it’s going to be bad.

How will A Song of Ice and Fire / Game of Thrones end? (No spoilers)

With two books to go by the self-admitted slow writer and the producers of the HBO show estimating the series to end at eight seasons the end game for A Song of Ice and Fire / Game of Thrones is far off. Still, I know how it will end, at least I know how viewers will perceive it to end. There will be no spoilers beyond conjecture, and no details of the fates of any characters.
The hype machine is still going strong for this series, with George R.R. Martin’s name constantly in the news, making appearances on Conan and casting confirmations as well unofficial filming footage constantly hitting the sites centered around pop culture. The show’s intention with each season is to build upon the overall arcs of each character with some ending as the seasons go on. The books likewise, because of the way they tell stories using third person limited point of view for different characters in each chapter, tell the stories of said characters as part of any overall story Martin is building towards.
Recalling an article from io9 speaking of Game of Thrones scratching that mystery itch that was left in the wake of Lost brings up the disappointment many felt by the end of series over the ending as it left questions unanswered and the overall conclusion deemed disappointing. Martin himself has said his intention is to avoid a Lost-like ending, proclaiming his disappointment and his hope to deliver on the high expectations of his fans. However, he also expects the ending to be bittersweet.
This is just conjecture but just as the story was inspired by the image of the two dying animals in the first episode and the first book, I expect Martin has had the ending in mind from the very beginning with obvious editing needing to be done as the plot changes and characters are added. While I’ve always expected a bittersweet ending given that the story for the majority a tragedy how satisfying will that ending be to it’s viewers and it’s readers? Let’s avoid questions of a production nature like it’s budget, it’s directing, the cinematography, the acting, etc and just explore it from a storytelling perspective.
Game of Thrones and the even more so the books it’s based on is a world full of characters. With this many characters the odds of satisfying every consumer is slim, but that is to be expected. Every character is someone’s favorite character including the antagonists but not every character is slated to have a complete story-arc as some of the secondary ones are doomed to be metaphorical and sometimes literal causalities to the major point of view ones. If we break it down even further using just the main characters we can expect that when they all converge once again as they did in the beginning of the series that some of these characters will come into conflict. As this is in a sense a political tragedy most of the characters fall into a morally gray area rather than one group being good and the other evil. Therefore, each character probably has a fanbase that’ll be disappoint and one that will be satisfied with how it’ll end overall.

How will it end though? I know how will it end in vague details, just going by what I’ve seen and what I’ve read from the source material plus Martin’s expectation of a “bittersweet” ending and his hope to avoid an ending like Lost. Here it is in the vaguest terms possible. Westeros will be left completely changed but stable in the political sense, not all the characters people hate will die and not all the ones people like will live. There will be sacrifices, sometimes that means a character’s life and sometimes that’ll mean a character’s power. 
Questions that have had speculation surrounding them will be answered with obvious answers and ones no one expected. Questions people didn’t know they should be asking will be answered, which in hindsight viewers will believe that should of been obvious. Questions that everyone has been wondering about for ages will never be answered because stories, like life, don’t have to answer all the questions. 
There will be love, sadness, tears, triumph, victory, tragedy, loneliness, isolation, and most likely satisfaction. Before it is over surely there will be fire and blood, you will hear some roar and some will pay their debts, there will be fury by some, sharp blades by others, and winter will most definitely come. 

We can’t stop here, this is spoiler country! – Spoiler Paranoia: When is it warranted, and when isn’t it?

Ah, a short reprieve from Thesis to do some writing. I’ve been working on Thesis since May 10th and the time it takes up has made me antsy to write so badly.

     Since yesterday was a monumental episode for HBO’s Game of Thrones I thought it would be the perfect time to discuss spoilers. In case you don’t know what spoilers are they’re facts about any medium that has a story or plot revealed to you before you can find out for yourself.
     It seems to me lately that spoilers, the term not spoilers themselves, has entered mainstream pop culture over the last couple of years. I think this is akin to the pop culture phenomenon of both Harry Potter and Lost. That’s just what is on the forefront of my mind as far as spoilers in mainstream media. I distinctly remember when Harry Potter and the Half-Blood Prince came out the controversy of an important plot point, which I will not post here, being scanned onto the internet and displayed. The series was a big enough hit that the controversy had made it into the news. Then there was ABC’s Lost which had a strong structure around the mystery of the island. Thinking about it now, I wonder if that coincided with the rise of DVR and Tivo because if you spoiled Lost for anyone before they were able to see it, you were in trouble.
     But why are spoilers such a big deal? The big deal is that you are robbing people of an emotional connection to a story they may only get to experience once. Not everyone has time to rewatch, reread and replay. Not everyone wants to figure out what’s going to happen before it happens. People with intense careers, families and limited money only get to experience a story once and then have to move on. There’s only so much time in a day. So when a plot element is revealed to them before they’re given the chance to experience it for themselves the journey may seem like a waste of time. No one wants their time wasted. Sometimes it’s better to not know. In my life I have never peaked at a Christmas or Birthday present because I wanted to be surprised. I only get to unwrap that specific present on that specific day once. Once you know how a story ends, who dies, who lives, who sleeps together and who gets married you never not know. So to that extent I understand why people would want to shield themselves from spoilers.
     There are some spoilers that are just ingrained into pop culture now and there’s no way around them. If you’re complaining about someone spoiling something that came out anymore before the turn of the century you are asking for too much. As a kid the only Star Wars film I had ever seen was the first one but I knew that Darth Vader was Luke Skywalker’s father. It had been beaten over my head for years but when I finally borrowed a set of the three movies from a friend on VHS when I was twelve and watched Empire Strikes Back I was still blown away by the movie even though I knew what happened.
     That’s just me though. I’m a rereader, rewatcher, replayed. The replay value of stories is important to me. I am not a fan of throwaway entertainment and if a spoiler is enough to ruin the story for me I am probably not going to waste my time with it.
     I see both sides of it though. For example, last night t-shirt brand RIPT apparel immediately on their twitter account spoiled last night’s episode of Game of Thrones. This is a company that probably sells Game of Thrones t-shirts and should know their market doesn’t take too kindly to spoilers like that. If you haven’t seen last night’s episode do not search out their twitter account. An editor of a website I frequent who called them out on the spoiler proceeded to get into an argument with another twitter user on whether or not it was a big deal because the book has been out for so many number of years and the information is out there no matter what. This is an example of someone being insensitive to another person’s experience of a story.
     On the flipside recently Matt Smith announced he’d be leaving Doctor Who during the Christmas special this year. This was literally a press release and people were complaining of spoilers. Similarly a couple months ago when comedian and host of The Talking Dead Chris Hardwick hosted a panel for The Walking Dead an audience member who voluntarily attended the show complained about spoilers in heckling manner when they began talking about episodes from the current season. This is when Spoiler Paranoia crosses the line into ridiculous.
     For me though, spoilers aren’t a grey area. When I first read A Game of Thrones, A Clash of Kings, and A Sword of Storms I was glad none of it was spoiled for me because they had an emotional impact on me. On the other hand, remember that spoiler about Harry Potter and the Half-Blood Prince? I know what it is, and wasn’t a reader of those books at the time. I only began reading them last summer and have just gotten up to the sixth book. I know what happens because I’ve seen the movies with friends and because of that spoiler but it won’t ruin those books for me because they’re fun.
     I guess my point is that spoilers are on a case by case basis for me but do everyone a favor and don’t spoil anything for anyone. I’ve been guilty of this because I get excited about stories, and I want to talk about them to the point that sometimes I don’t think before I speak but don’t ruin the experience for other people. At least try not to.