I Wish I had Chrono Trigger as a kid.

Chrono Trigger is one of my favorite SNES games, but also one I never actually played on Super Nintendo. To my great shame I didn’t discover it until they remade it for the Nintendo DS.

When I did finally play all I kept thinking was I wish I had this game as a kid. It would of been up there with Super Mario World, Kirby Superstar, Legend of Zelda: A Link to the Past and Donkey Kong Country as one of those games I would replay again and again. Now as an adult I don’t have the same kind of free time as I did as a child.

So many elements of this game would of hit my sweet spots when O was young. Great music (which I now realize Super Mario RPG borrowed heavily from), an epic story, time travel, science fiction, robots, talking animals, legendary swords, multiple endings, silly humor, and a straight forward turn based RPG system.

Ob well, I’ll just have to find the time.

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Memories of the Simpsons.

Currently on FXX they’re showing every Simpsons episode ever, as the tagline suggests. I sit down in the living room, turn on the television and get flooded with nostalgia.

It reminds of a time when new episodes were on Thursday and I had to choose between that and the show Dinosaurs to watch. I remember my mom complaining about Married with Children, how the main character was a pig and no one was allowed to watch it.

Then they moved it to Sunday night and I sort of lost track of it. That was until 5th grade when I met who would be one of my best friends all throughout school, Jeff. When he wasn’t coming over and kicking my ass in Super Mario Kart, playing with Z-Bots or showing me how to beat the Legend of Zelda: A Link to the Past we were stopping everything we were doing to watch reruns of the Simpsons at 7 p.m, then at 7:30 p.m., then at both 7 and 7:30.

When the Nintendo 64 came out, the entire class was enamored with who shot Mr. Burns. Only one kid guessed it right and no one believed him and when we did find out it was to be honest a bitter disappointment. We didn’t care though because the show went on being hilarious and we went on playing video games.

Even in 1998 when The Legend of Zelda; Ocarina of Time finally came out after two years of constant delays Jeff and I would be on the phone saying what part of the game we were up to, where we had found certain secrets and heart pieces but oh wait, it’s 7:00 time to watch two back to back episodes of the Simpson. Unless it was Sunday in which we stopped to watch new episodes.

Watching this marathon reminded me how much I watched the Simpsons as a kid. There are w hole episodes that I can anticipate the next line or the next joke.

This isn’t a post to bash about the quality of the Simpsons now because I simply stopped watching it so whom am to judge it?

What I will say is that the older episodes managed to both pull at the heart strings and still be funny. I’d go into details but I’m missing the next episode.

Late to the Party: Joe Abercrombie’s The Blade Itself.

As far as book go, it isn’t often that I have the forethought or the word on the street to get in on the ground floor of an author or series of novels. Joe Abercrombie is no exception.

I bought the first book in his The First Law trilogy after pre-ordering his new book Half A King. Once I start reading The Blade Itself my first thought was that I have should have read this years ago. Eight years later I’ve finished the first book and I want to read the second book right away. This is highly irregular for me.

I don’t know what it is but I can’t read the second book of a series immediately after reading the first. I get distracted, I get bored, I lose focus, my eyes start to trail off and by the end I can’t remember what really happened. I’m going to be clear: this is a not a slight of the quality of the novels but a flaw that I have. Just look at this list of second books I’ve tried to read immediately after the first and either didn’t enjoy it as much or since discovering this flaw about myself, stopped reading to pick up another time.

  • A Clash of King by George R.R. Martin
  • The Wise Man’s Fear by Patrick Rothfuss
  • Red Seas under Red Skies by Scott Lynch
  • The Well of Ascension by Brandon Sanderson
  • Kill the Dead by Richard Kadrey
  • The Restaurant at the End of the Universe by Douglas Adams

I can recall my experiences with all these books. You know when you read the words but don’t really take in what they’re saying? That happened to me with A Clash of Kings and The Restaurant at the End of the Universes? One, I missed hints to major plot points that would come in future books and the other I was too bored to enjoy Adam’s delightful sense of humor.

I think with The Wise Man’s Fear I got the furthest before putting it down, maybe a hundred pages? This was around the time that I was discovering this flaw about myself and I loved The Name of the Wind so much that I didn’t want the experience of the second book to suffer. With Kill the Dead, the second book in Kadrey’s Sandman Slim series I read the first page, could feel my restlessness settle in and immediately put it down.

Now, Red Seas under Red Skies I remember putting down for maybe a month or two before I had to pick it up again in order to keep up with a friend who was reading, a much faster read than I am. Same thing happened with The Well of Ascension the year before and my opinion of the Mistborn series as a whole suffered for it. That book was torture for me to read through, I found it slow, I found the main character Vin to be a whiny idiot who made the worst decisions and by the end I didn’t care about anything that was happening. I just wanted to finish and when I did I didn’t bother picking up the third book even though my friend had already gotten halfway through it. That was December of 2012 into January 2013 and only now have I even started the third Mistborn book, The Hero of Ages. Guess what? I actually am enjoying despite the sour taste the second book left in my mouth. 

There are of course exceptions. If I read The Lord of the Rings I can read all three front to back with no qualms. Sometimes I’ll just read one only because I have read them so many times and want to read something new but the point is I can read all of them front to back without getting that restless feeling. Same thing happened with most of Stephen King’s The Dark Tower series. It wasn’t until the fourth book that I got restless and even then I only read one book in between before reading book five, six and seven.

The point of all this is that I want to read Before They Are Hanged, the second The First Law book right now. I need to know what happens to the characters now rather than later. I want to know more about the world, about it’s past and what is going to happen next. If an author can get me to do that then the books must be damn good.

 

What is Tom Bombadil’s significance? The answer from J.R.R. Tolkien himself.

“Tom Bombadil is not an important person – to the narrative. I suppose he has some importance as a ‘comment’. I mean, I do not really write like that: he is just an invention (who first appeared in the Oxford Magazine about 1933), and he represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function. I might put it this way. The story is cast in terms of a good side, and a bad side, beauty against ruthless ugliness, tyranny against kingship, moderated freedom with consent against compulsion that has long lost any object save mere power, and so on; but both sides in some degree, conservative or destructive, want a measure of control. but if you have, as it were taken ‘a vow of poverty’, renounced control, and take your delight in things for themselves without reference to yourself, watching, observing, and to some extent knowing, then the question of the rights and wrongs of power and control might become utterly meaningless to you, and the means of power quite valueless. It is a natural pacifist view, which always arises in the mind when there is a war. But the view of Rivendell seems to be that it is an excellent thing to have represented, but that there are in fact things with which it cannot cope; and upon which its existence nonetheless depends. Ultimately only the victory of the West will allow Bombadil to continue, or even to survive. Nothing would be left for him in the world of Sauron.”

– J.R.R. Tolkien from The Letters of J.R.R. Tolkien; Letter #144

Goldman’s The Princess Bride is the best adaptation of Goldman’s The Princess Bride conceivable.

After just finishing reading William Goldman’s The Princess Bride I couldn’t think of anything better to do than to watch the movie that was adapted from it.

The movie, I believe, was better for once. A rare occurrence but one that I will argue my case for.

In my opinion, the movie was better.

In my opinion, the movie was better.

It certainly helps that the screenplay was written by the author of the novel. Most screenplay writers when adapting a book make changes to the story to not streamline the story for time but often change plot points, character motivation and character development that they feel fits better in a film and puts their own twist on the story. Nothing wrong with that mind you, change is part of adaptations. What William Goldman did however was instead take the novel he had written and streamlined it for film without cutting any part of what made the story charming and engaging.

Goldman managed to make a film version of his novel without cutting anything that makes it great.

Goldman managed to make a film version of his novel without cutting anything that makes it great.

Let’s get the negative parts of the adaptation over with that way we don’t have to dwell on it too long.. Out of all the characters the one that suffers most from the change from book to film is Prince Humperdink. His character looms over much of the plot in the book. A  much more intimidating, sociopathic and physically capable figure who poses a major threat to Westley and Buttercup’s romance. His abilities as a great hunter and tracker are explored with greater detail to back up his claim, rather than in the film when the characters just state it as fact. It could be argued that his tracking of Westley and Buttercup in Guilder showcase his hunting skills in the movie but I was never really sold by it too much. 

While Chris Sarandon did a great job as Prince Humperdink he comes off as more of a sniveling schemer who is in fact quite weak compared to the strategic military-like mind of the Prince Humperdink of the book.

What else the reader will get from the book that we don’t get as much in the movie is the backstories of Inigo Montoya and Fezzik. If you love those characters then I highly suggest you read the book. You get both of their upbringings, their trainings and how they end up with Vizzini. Their friendship blossoms in the book as well as Fezzik’s love for rhyming that the film just lightly touches upon.

Speaking of Vizzini, while I would never want to lose Wallace Shawn’s portrayal of the character we don’t get a great understanding that he is fact the planner of the trio. He just comes off sort of silly and dimwitted next to Westley. With the use of backstory we learn that the trio had been successful before in doing mercenary work like this in the past using Inigo’s fencing skills, Fezzik’s strength and Vizzini’s plans. Lastly, and this isn’t the movie or the books fault, but if you’ve seen the movie before you read the book the surprise of the Westley being the Man in Black is ruined for you as it is hard to disguise someone’s look and voice to make that surprise work especially considering when it came out.

Details is what is key. If you like details I highly suggest reading the book because you get better details of every main character and some characters who never get named in the movie. That was what was a shocker for me, that those small characters didn’t get cut from the movie at all. Yellin, the man who has the key to the castle, the Albino who helps Count Rugen torture Westley, Miracle Max’s wife, the lady who boos Princess Buttercup and even Prince Humperdink’s parents who do nothing to move the plot along in the book at all still make appearances in the movie. What else is significant is all the best lines from the book make it into the movie as well. In this day and age book readers usually have to prepare themselves for their favorite line or character to be cut. Not so with The Princess Bride, everything from As You Wish down to To The Pain make it into the movie. Reading the book in a sense was like reading more detailed version of the script while also getting new details about all the best characters.

What was removed from the movie that it benefitted from was two things. First of all, while entertaining, the framework of Goldman translating S. Morgenstern’s much longer version of The Princess Bride into the short version his father read to him as a kid tends to go on too long and interrupt the flow of the story. The part the movie uses involving the grandfather and the grandson in place of Goldman and his father still has the great framework of the story being read to a child without so many interruptions like in the book.

The other part that the movie loses from the book is the horrible ending. Not horrible in the sense it was poorly written or ill conceived but it is so anti-climactic and covered in loose ends that it reduces the rating I gave the book by a whole star on Goodreads, all to sell this weird theme of life isn’t fair. The movie has a much more satisfying ending to both cap off the main characters of Inigo, Fezzik, Buttercup and Westley and ends sweetly with the Grandfather and Grandson. The book’s ending fails on on all fronts.

Inconceivable! A movie would actually have a better ending than the book? It's true.

Inconceivable! A movie would actually have a better ending than the book? It’s true.

So do I recommend the book? I certainly do as I am the type of reader who enjoys the little details along with a good plot. Ultimately though I do believe Goldman did a better job of taking his novel and making into a much better screenplay and film.