Can A Well-Made Sequel Improve The Original?

Earlier this year, I wrote a post about how bewildered I was over Joe Abercrombie’s “Half the World” being such an improvement over the first book in the Shattered Sea series, “Half A King”. Now that the third book in the series has been released I decided to reread “Half A King” and see if my opinion has changed.

It has. I don’t have Patrick Rothfuss’s hype for the book clouding my opinion anymore nor does the predictability of the plot bother me because obviously having read it before I already know what happen. It doesn’t mean I don’t feel that way anymore because it was overhyped and the plot was predictable. However, there are details that I missed the first time around that made Yarvi’s fate at the end seem less disappointing and more foreshadowed. His meeting with Mother Gundring at the end set up the continuing conflict for the rest of the series and I felt like I completely missed it the first time.

My point is, “Half The World” changed my opinion of “Half A King.” That usually doesn’t happen with sequels from my experience. Sequels tend to be less than or equal to the original. A poor sequel can make an opinion of the first stronger. A poor sequel can run the enjoyment of the first. What if, though, you disliked the original but loved the sequel as the case with myself and the Shattered Sea series.

What if “Prometheus 2” fixes everything about the first one? What if “Alice Through The Looking Glass” takes the taste of disappointment of Tim Burton’s “Alice in Wonderland” out of our mouths? What if another Indiana Jones could make “Kingdom of the Crystal Skull” worth watching? Most movies don’t get that chance and for good reason. Making a movie requires a lot of money, therefore, to invest it into a sequel to an underperforming movie would be a bad investment. Then again, not all poorly received movies do badly at the box office nor is a poor opinion of anything completely objective.

With video games, it’s more than the story you have to think about. The gameplay can completely change from one game to another. “Mass Effect 2” continues the story of the first “Mass Effect”, but the gameplay so much improved it makes playing the first one difficult to endure. “Elder Scrolls IV: Oblivion” and “Elder Scrolls V: Skyrim” takes place in the same universe and the share the same history but the stories are self-contained and the gameplay is radically different enough they could have no connection whatsoever. “Borderlands 2” takes the concept of the first and blows it up twice as large to great success.

Back to books, should the first book of a series be judged on its own or as part of the whole? Yes and no. For me at least it’s a case by case basis. The disappointing epilogue of “Harry Potter The Deathly Hallows” doesn’t change my enjoyment of the rest of the books in the series but “The Well of Ascension”, the second book in the “Mistborn” series managed to ruin the first book and the third for me. Though I still enjoy it, “A Feast for Crows” is slow compared to three previous books in “A Song of Ice and Fire” but it doesn’t take anything away from them. “The Lord of the Rings” completely changes the importance of BIlbo’s journey in “The Hobbit”, but it doesn’t suddenly become any less a children’s novel.  Before it was revealed that Go Set A Watchman was revealed to be a first draft never supposed to be published I had decided to never read it knowing it would ruin Atticus Finch for me based on the news that he was now an elderly racist. Don’t even get me started how “The Silmarillion” both changes and doesn’t change “The Hobbit” and “The Lord of the Rings” at the same time.

So a sequel can change the perception of the original. It can improve it and worsen it. The question comes down to like it did with “Half the World”, whether you should give the sequel to an original you were not fond of a chance? Books, movies, video games, television shows can all cost money to consume one way or another. You may not have the money or you may have too busy a life to risk the chance. Keep in mind though what you may be missing out on. Keep in mind that sometimes it’s worth risking your time and money.

 

Changing the Dark Tower V: The Final Book and Modred: All Hype, No Substance.

When those doors open to the Dark Tower at the end of Stephen King’s final volume the journey for Roland and his Ka-Tet will come to an end. The journey, however, is not without its hiccups and so here are some suggested changes for the “The Dark Tower VII: The Dark Tower.”

My posts on “The Wolves of the Calla” and “The Song of Susannah” focused more on criticism rather than changing those volumes. Most of the changes of “The Wolves of the Calla” are the result of changes in earlier novels, like introducing Father Don Callahan in an earlier book. With “The Song of Susannah” the changes suggested were cutting and pasting bits from “Wolves of the Calla” for the beginning, and the beginning of this final novel for the end. This would give the sixth book a more coherent story from beginning to end. Now let’s talk about the beginning of this novel. Obviously, there will be spoilers.

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Changing the Dark Tower Pt. III: Wolves of the Calla

Finally through the boring fire that is book three of The Dark Tower by Stephen King we leave Wizard and Glass behind to return to the main story of the series with the Wolves of the Calla and The Song of Susannah. Though not the best in the series the Wolves of the Calla is definitely the best of the later books in the series while The Song of Susannah leaves you wondering whether it is wholly necessary or wishing there was more.

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Appreciating A Clash of Kings by George R.R. Martin

Most people, when talking about the A Song of Ice and Fire series by George R.R. Martin, rank A Feast for Crows as the least interesting followed by A Dance with Dragons.

The first time through though. the second book in the series, A Clash of Kings, bored me in every chapter that wasn’t a Tyrion or Davos chapter. It’s not the book’s fault but a fault of my own.

You see, I have this problem when it comes to reading. Every time I try to read a series in succession I grow bored, no, restless during the second book. It becomes hard for me to concentrate and I always end up putting the book down, especially since I’ve figured out this flaw, and picking up a different one. I think it might stem from my A.D.D. (which I was diagnosed for, not just the many people claiming to have it) but I can’t be sure.

Besides A Clash of Kings other victims of this dilemma include the second Mistborn book, The Well of Ascension by Brandon Sanderson, The Restaurant at the End of the Universe by Douglas Adams, The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle, and even The Two Towers by J.R.R. Tolkien. It’s just when Sam and Frodo are climbing down the elven rope that I put it down though unlike the others listed I picked it back up shortly after. Spoilers ahead. 

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You Should Read: The City Stained Red by Sam Sykes & Rat Queens by Kurtis J. Wiebe (A double.)

This is a double You Should Read, a feature that is mostly in my drafts folder more than actually published in my blog. A lot of the time it’s because I’m not sure what I want to say about a book besides “This story blew my mind / was awesome / was cool / so good that I wish I could write like this!” and that doesn’t make much for a blog post.

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Joe Abercrombie’s Half the World is What Half A King Should Have Been.

Last year, one of my favorite authors, Patrick Rothfuss, said Half A King was “[his] favorite Abercrombie book yet. And that’s really saying something.” So naturally I decided to buy, and all his other books. I started The Blade Itself a week before Half A King was to be released and ate it up like I had The Name of the Wind and The Lies of Locke Lamora. When Half A King arrived I read it and when I did I couldn’t wait to finish because I wanted to go back to reading The Blade Itself.

The fact that Half A King was Young Adult didn’t bother me, but everything else did. It all seemed so predictable, paint-by-the-numbers kind of characters and plot. Then the ending came too quick and too anticlimactic. By the end Yarvi broke the greatest sin for a protagonist, I no longer cared about him.

So it was with great reluctance that I started Half the World, the second book in the Shattered Sea series. I need that Joe Abercrombie fix but needed it to be quick because I was right in the middle of reading A Clash of Kings by George R.R. Martin. I was absolutely blown away.

  • Yarvi’s weakness was his crippled hand and how that limited his abilities. Thorn and Bran, though, suffer from internal struggles of self-doubt, anger, and worthlessness. I found this far more engaging because once you figured out Yarvi was clever, you knew he’d always think his way out of any limitations his hand caused.
  • Yarvi’s story seemed more coming-of-age, as most YA is, but Abercrombie blends Thorn and Bran’s coming-of-age with the hero’s journey as the two become stronger and prove their worth to the rest of the crew.
  • The lore of the Shattered Sea is explored and expanded upon. Half A King seemed so focused on getting back to Gettland that the rest of the world didn’t seem to matter. Plus, the history of the elves, magic, and what disaster they caused is given to us to small amounts to entice the reader’s interest.
  • With a bit of age and without his point-of-view Yarvi’s cleverness is more impressive and without his inner monologue, much more cunning.
  • With war looming, their cause seems more desperate, the tone more serious, and with better protagonists I’m more worried if they’re going to make it out okay. When events go awry and the characters make a mistake they could have avoided, I am more concerned. When the characters get seriously hurt, injured, and killed I know Thorn and Bran are not completely safe (even though they are.) It’s easier to believe the protagonist isn’t safe when they’re not so clever.
  • I had to reopen the first book to discover that Thorn was the thirteen-year-old girl who witnessed Yarvi, with his short time as king, dueling with Keimdall.
  • When characters from the first novel are reintroduced, it’s a sure sign of a better book that even when I don’t fully remember the first book Abercrombie makes me feel something for them in the second.
  • The romantic tension between Brand and Thorn simmers slowly and never overtakes the main plot or the action. By getting both of their point of views, you get to be frustrated as they each have the same doubt about the other liking them. Sexual tension builds, romantic mishaps happen, and they both get to the point where you wish someone would just sit them both down and go you’re crazy for one another, just kiss already. Someone does and without feeling like a Deus Ex Machina.
  • Abercrombie does this through Rin, who through her brother’s and hers experience of hardships teaches Thorn a lesson above privilege, appreciating what she haves, while giving Thorn enough information to figure out what an idiot she’s been with Brand.
  • What is a well thought out move, just because they are together doesn’t mean Brand and Thorn’s self-doubts don’t just go away.
  • While war is often romanticized in books such as this, especially considering it’s based on Vikings and Norse culture, seeing Brand’s trauma and struggle with the morality of raiding villages hit hard. Then when he stands up for peace and the king praises him for it you feel proud of him also.
  • The twist with Grom-gil-Gorm, Mother Isriun, and having Thorn as the Queen’s chosen shield to fight Grom was such a satisfying moment, like when Eowyn reveals herself to the Witch King.
  • Then to have Grom, having grown tired of Mother Isriun’s orders, sparing Thorn, turning away from the High King, and forging an alliance with Gettland was a resolution I both didn’t see coming and thoroughly enjoyed. I just assumed, probably because I’ve read so many books where the child becomes the great warrior and avenges their father, that Thorn would find a way to kill Grom.
  • Bran in the end shows his own cleverness against Father Yarvi proving himself as someone who stands in the light, as he puts it, without feeling as if his story has had a bad ending. Plus, a marriage proposal awaits Thorn.
  • Then to end with Thorn telling off Master Hunnan and becoming a teacher just as Skifr did was the best conclusion this story could get. Perhaps one of these pupils will become the protagonists of Half A War. I’m looking forward to it.

How Did Peter Jackson Read This Passage and Still Get the One Ring Wrong?

In book six, which is the first part of Return of the King, Samwise Gamgee is alone in Mordor with the One Ring having just found out Frodo is still alive and taken captive after the confrontation with Shelob.

     His thought turned to the Ring, but there was no comfort there, only dread and danger. No sooner had he come in sight of Mount Doom, burning far away, than he was aware of a change in his burden. As it drew near the great furnaces where, in the deeps of time, it had been shaped and forged, the Ring’s power grew, and it became more fell, untameable save by some mighty will. As Sam stood there, even though the Ring was not on him but hanging by its chain about his neck, he felt himself enlarged, as if he were robed in a huge distorted shadow of himself, a vast and ominous threat halted upon the walls of Mordor. He felt that he had from now on only two choices: to forbear the Ring, though it would torment him; or to claim it, and challenge the Power that sat in its dark hold beyond the valley of shadows. Already the Ring tempted him, gnawing at his will and reason. Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad- dûr. And then all the clouds rolled away, and the white sun shone, and at his command the vale of Gorgoroth became a garden of flowers and trees and brought forth fruit. He had only to put on the Ring and claim it for his own, and all this could be. In that hour of trial it was the love of his master that helped most to hold him firm; but also deep down in him lived still unconquered his plain hobbit- sense: he knew in the core of his heart that he was not large enough to bear such a burden, even if such visions were not a mere cheat to betray him. The one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command. ‘And anyway all these notions are only a trick,’ he said to himself. ‘He’d spot me and cow me, before I could so much as shout out. He’d spot me, pretty quick, if I put the Ring on now, in Mordor. Well, all I can say is: things look as hopeless as a frost in Spring. Just when being invisible would be really useful, I can’t use the Ring! And if ever I get any further, it’s going to be nothing but a drag and a burden every step. So what’s to be done?’

Peter Jackson, Phillipa Boyens, and Fran Walsh must have read The Lord of the Rings before they decided to write the scripts yet somehow to most of the viewing audience the only power the One Ring had was to turn people invisible. Then again these are the same people who thoughts a simile about stretching shadows meant Balrogs had wings, that the metaphor for Sauron’s reach across Middle-Earth meant he was a giant flaming eye, and that because Ents language is much slower than English that this meant they were both passive and unaware of Saruman’s destruction.

I wonder if people ask them the same questions friends will ask me when they find out I am an avid reader of Tolkien. “Why is the One Ring such a big deal if it just turns you invisible? To convey it did anything else, it was probably a bad idea to show that scene of Isildur retreating into the water with the ring on and turned invisible. It was probably a bad idea to cut this bit of dialog between Frodo, Sam, and Galadriel.

‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’

‘You have not tried,’ she said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become far stronger, and to train your will to the domination of others. Yet even so, as Ring- bearer and as one that has borne it on finger and seen that which is hidden, your sight is grown keener. You have perceived my thought more clearly than many that are accounted wise. You saw the Eye of him that holds the Seven and the Nine. And did you not see and recognize the ring upon my finger? Did you see my ring?’ she asked turning again to Sam.

‘No, Lady,’ he answered. ‘To tell you the truth, I wondered what you were talking about. I saw a star through your fingers.”

You could easily cut to her ring after showing Frodo, then do it again after showing Sam to show he can’t see the ring. You can cut this dialog down a bit and still have it explain how the ring works. This is literally dialog you could of used, Jackson. You show plenty of times when resisting putting on the ring is difficult, but you do a terrible job of showing why the ring is a power, a threat, and wanted by Boromir and Denethor (Faramir too in the movie version.) What about how the ring makes Frodo appear to Sam when Gollum swears upon the precious?

For a moment it appeared to Sam that his master had grown and Gollum had shrunk: a tall stern shadow, a mighty lord who hid his brightness in grey cloud, and at his feet a little whining dog. Yet the two were in some way akin and not alien: they could reach one another’s minds.

That’s not a metaphor, that is literally how the One Ring’s power affects Frodo by being its bearer. Hard to convey, maybe, but no less hard than the spirit world in which Frodo enters when he puts on the ring. Later when Gollum tries to suggest giving the ring to him Frodo tells him.

In the last need, Sméagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Sméagol!’

Having this dialog would

  1. Show how the ring gives the power to command, even to a hobbit.
  2. Show how Frodo has grown in power, even though the ring is making him weak physically the closer they get to Mordo
  3. Show how susceptible Gollum is to the power of the ring
  4. Give some well needed credibility to your version of Frodo, who has been made younger and has all the parts where he has shown any sort of bravery cut from the movie, but that is a post for another time.

It is one thing to cut parts of the book out of the movie. Obviously there are time restraints but some of these moments would add seconds, maybe five minutes at most that could easily but cut elsewhere.  It is not a matter of audiences being dumb either, but the One Ring in Peter Jackson’s The Lord of the Rings is not explained very well at all. It is portrayed as more of an sigil for addiction rather than an artifact of power.

 

The Battle of Pelennor Fields | Quote by J.R.R. Tolkien

“In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face.

All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen.

“You cannot enter here,” said Gandalf, and the huge shadow halted. “Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!”

The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter.

“Old fool!” he said. “Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!” And with that he lifted high his sword and flames ran down the blade.

And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.

And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin’s sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.”

via Goodreads | Quote by J.R.R. Tolkien: “In rode the Lord of the Nazgûl. A great black s…”.

Gives me chills down my spine every time I read it. One of the few times Peter Jackson was able to evoke the same kind of emotions in the film version was Rohan’s charge into battle.

 

Speculations for Joe Abercrombie’s next The First Law trilogy

Author Joe Abercrombie tweeted this today:

Joe Abercrombie’s The First Law trilogy was one of the best fantasy series I have read in years. I ate it up nearly as quick as Patrick Rothfuss’s Kingkiller Chronicles, Stephen King’s The Dark Tower or more recently Scott Lynch’s Gentlemen Bastards. It felt like reading The Lord of the Rings if Middle-Earth were as brutal of a world of George R.R. Martin’s A Song of Ice and Fire. Just like people you’ll love the main characters one minute and hate their guts another. I never saw the twists coming, and when dialog was spoken I thought afterwards of course they would say that. I left reading the books thinking I could write something like this because of the ease of the prose then jealous when I realized how wrong I am because these books were brilliantly written. It’s one of those series that leave you floored as a reader and a writer.

As always remember that there are spoilers ahead.

Last chance before spoilers.

Last chance before spoilers.

I have to say ahead of time I have not read the First Law side books though I do know the big reveal of Red Country. Red Country, being the latest book in the First Law timeline takes place thirteen years after The Last Argument of Kings. So here is what I am speculating will occur in the next trilogy.

  • Sand dan Glokta and Jezal dan Luthar will no longer point-of-view characters. Jezal will make an appearance, maybe even just a mention but won’t have any prominent plot points. Glokta will be a prominent secondary character to one of the point-of-view characters.
  • There will be three or four new point-of view characters to replace the one we’re losing: Jezal, Glokta and Collem West.
  • I’m on the fence on whether Dogman will still be a point-of-view character.
  • Logen Ninefingers (still alive as revealed in Red Country) and Ferro Maljinn will be the only returning characters with a point-of-view.
  • What the Bloody Nine is will be fully revealed in Logen’s quest to confront Bayaz.
  • Bayaz manipulation of the North and the Union will begin to unravel but perhaps not fully free of the First of the Magi until the third First Law trilogy.
  • Ferro will have to deal with her madness if she is to accomplish her goals with the Gurkish.
  • The spirits that Logen can talk to will become more prominent again, and why he can do so will be revealed.
  • Perhaps Bayaz himself will have a point-of-view exploring his background with the other magi.
  • The Great Eastern Library will make an appearance
  • Maybe even one of the other magi not seen in the original trilogy will get a point-of-view to explore Bayazs background.
  • We will finally meet Khalul in person, perhaps through Ferro but like Bayaz his downfaill won’t come until the next First Law trilogy.
  • Tolomei will be released or break out from the House of the Maker
  • It is implied that Bayaz killed Juvens, we’ll find out why.
  • The other side will be explored more, perhaps be a main focus of the plot.
  • The mythology of Euz and his four sons, Kanedias, Juvens, Bedesh and Glustrod will be explored.
  • Logen Ninefingers will be actually dead by the end of this trilogy, having started what will be the downfall of Bayaz.
  • However, the Bloody Nine may not. With Logen dead the Bloody Nine may takeover to wreak havoc in the third trilogy.
  • Luthar may die before the end of the second trilogy.
  • There is no way there is only two laws by Euz. A third law will be revealed.
  • Cawneil, one of the magi, may be forced to give up her slothful ways in the Great Western Library, possibly even have a change of heart about being a cynic.
  • Zacharus may take a stand against Bayaz, and he will fall doing so possibly revealing Bayaz’s more sinister nature.

Obviously this is all based on having not read the three World of the First Law books, as I understand Bayaz makes an appearance in one of them.

There’s nothing like the feeling of discovering a new favorite book series and I hope Abercrombie will continue to do so with the next trilogy.