Most people, when talking about the A Song of Ice and Fire series by George R.R. Martin, rank A Feast for Crows as the least interesting followed by A Dance with Dragons.
The first time through though. the second book in the series, A Clash of Kings, bored me in every chapter that wasn’t a Tyrion or Davos chapter. It’s not the book’s fault but a fault of my own.
You see, I have this problem when it comes to reading. Every time I try to read a series in succession I grow bored, no, restless during the second book. It becomes hard for me to concentrate and I always end up putting the book down, especially since I’ve figured out this flaw, and picking up a different one. I think it might stem from my A.D.D. (which I was diagnosed for, not just the many people claiming to have it) but I can’t be sure.
Besides A Clash of Kings other victims of this dilemma include the second Mistborn book, The Well of Ascension by Brandon Sanderson, The Restaurant at the End of the Universe by Douglas Adams, The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle, and even The Two Towers by J.R.R. Tolkien. It’s just when Sam and Frodo are climbing down the elven rope that I put it down though unlike the others listed I picked it back up shortly after. Spoilers ahead.
“Genre–whether it’s action/adventure, romance, scifi, fantasy, or superheroes–largely differentiates itself from “mainstream literature” by its heavy reliance on tropes. The lone survivor in a post-apocalyptic landscape. The reluctant paladin called to defend his or her homeland. The white knight. The savior-sacrifice, who must pay the ultimate price to keep the darkness at bay. Good genre books and films succeed because the authors or artists have manipulated these tropes in a particularly skillful way, either by subverting them or unpacking them or, occasionally, pointing right at them. Some of the most stunning works of SF/F produced in the past couple of decades–those that have shifted the cultural conversation–have been those that rely the most heavily on tropes, on what we think we know about a certain genre, and which then proceed to show us, almost by slight-of-hand, what we have overlooked. The Walking Dead. Gravity. District 9. The superb Children of Men. What is masterful about each of these is that the creators exhibited no embarrassment whatsoever about their pulpy source material–instead, they dug deep into the ‘how’ and the ‘why’ and the ‘who’ and used tropes we might have considered all played out (the astronaut in trouble, the zombie apocalypse) to illustrate profoundly heartbreaking things about the human condition. That is, perhaps, genre in a nutshell: it is cliche turned on its head.”
Dr. Lepore’s Lament
May 14, 2015 at 03:03PM
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Yesterday I received in the mail my pocket sized copies of The Hobbit and The Lord of the Rings pictured here:
The outside feels like this faux leather that bends easily like rubber but seems like it could take a lot of abuse.
Since they are pocket sized of course the writing is small but the type is equal to any hardcover or paperback edition. In fact, it looks almost exactly the same like they were originally larger and went through a shrink ray.
In fact, I was surprised to find The Return of the King still included the appendices and the index.
As far as fitting into my pocket is concerned, it fits about as well as an iPhone 6+. They’re definitely not meant for small pockets or tight jeans but fit nicely in the pockets of my coats, sports coats and blazers.
They’re a nice edition to my collection and I plan on annotating them to death. If you’re buying these books for the first time though I don’t suggest them.
“It’s not real. And beyond that, when you’re dealing with characters, they exist on paper. They’re real in that context. I always say they’re much more real than we are because they have much longer lives and more people know about them. But we get people reading superhero comics and going, ‘How does that power work? And why does Scott Summers shoot those beams? And what’s the size of that?’ It’s not real! There is no science. The science is the science of ‘Anything can happen in fiction and paper’ and we can do anything.
“We’ve already got the real world. Why would you want fiction to be like the real world? Fiction can do anything, so why do people always want to say, ‘Let’s ground this’ or ‘Let’s make this realistic.’ You can’t make it realistic because it’s not. So basically Batman is 75 years old, and Robin is 74 years old. They don’t grow old because they’re different from us. They’re paper people.” – Grant Morrison