Changing The Dark Tower Pt. II – Wizard & Glass

In my original post I said that Father Callahan should join Roland’s second ka-tet in The Waste Lands at River Crossing. Now that I’ve reread Wolves of the Calla I see I’ve made myself some problems by moving where he is introduced, so let’s fix them now.

Last chance before spoilers.

Last chance before spoilers.

 

The Waste Lands.

After hearing how Father Callahan got to Mid-World / End-World again in Wolves this story could fill the space that was originally the drawing of Jake into Roland’s world that I moved to book three. This will further strengthen the importance of the Rose in the vacant lot and be the part that reveals Marten / Randall’s background influence. (note: in my last post I eliminated the Walter / Marten / Randall confusion of all the names. There’s only Marten Broadcloak = Randall Flagg.)

Instead of Marten pushing him through a door in the Way Station to Calla he can do it the other way around. Black thirteen says on the Calla side, discovered by the Manni and it is they who beg for Roland and his Ka-tet to take it. Then with Randall’s remarks about having to “get ahead of them again” referring to Roland and Jake in The Gunslinger he goes through a door, Callahan follows and ends up in River Crossing.

Now you have two people talking about the vacant lot, the Rose, that area of New York, and now we get the introduction of the Low Men way ahead of time so there introduction later doesn’t come out of nowhere.

Wizard and Glass.

The fourth novel gets a blog post all on it’s own because it’s the one that needs the most change.

What should of been the most important Dark Tower book besides the last one turned out to be the worst, not only because Roland’s story of his first love drags but reveals so little of his past that is relevant to his quest for The Dark Tower until the very end. If it were me, I’d change this whole novel as it does not answer any important questions.

1.) What happened to Alain and Cuthbert? When did they become Gunslingers themselves? When did they die?

2.) How did Gilead fall?

3.) What happened to Steven Deschain?

4.) Again, why does Roland want to go to the Dark Tower at all?

5.) Why should I care about John Farson’s scheme here if we never meet him and never see him destroy the Affiliation?

Don’t say these questions are answered in the comic book because of a.) whether they are canon are not is in question b.) that is the biggest cop-out I’ve ever heard. If it’s part of the story it should be in the series of novels and not in some side story in the comics written by someone else.

The introduction of Merlyn’s Grapefruit, the tragedy of Susan’s death, and Roland having to choose between saving her and The Dark Tower after he sees it in the Grapefruit is not enough to justify this long winded, desperate in need of an editor, side story. All the things this novel does with developing Roland and his first ka-tet could have been done on their quest for the Dark Tower. This isn’t even his full ka-tet, there are at least two others that he mentions but we never learn anything about until The Wind in the Keyhole. 

Let’s say this story has absolutely be told, it still needs to be changed. That first session between Rhea of the Coos and Susan Delgado is disgusting. I’m no prude but this story should begin with her heading home with brief mentions of seeing the Grapefruit through Rhea’s window. I don’t need this eternal debate about being disgusted by Rhea molesting her and her being horny when she meets Roland. I’d rather her learning to masturbate by rubbing her clitoris be cut, but I can tolerate that more the descriptions of Rhea’s disgusting hands on Susan.

In fact, most of the parts giving Susan’s point of view can be cut. Are we supposed to assume Roland learned all these parts of the story from the Grapefruit at the end? It’s not needed. The whole will they / won’t they part of the story drags on for too long.

The worst part of the novel is the antagonists of this novel, The Rhea of the Coos, the Big Coffin Hunters, and Susan’s aunt, Cordelia Delgado are most compelling and interest villains than any we’ve gotten so far or will get afterward. All in a story that barely matters to Roland’s quest. Why couldn’t Randall Flagg be more fleshed out for this story? Why can’t Modred, or the Crimson King? In fact, why can’t Randall Flagg and the Crimson King be in it? That would at least play into the lore of the series. King tried way too hard to make this a stand-alone novel, and I had the privilege of reading all these novels at once in 2007-2008. I can’t even imagine what it was like reading this book when it came out after waiting for years to get it.

Then Roland finishes his story and we get back to present day. This was easily the best part of the novel but what was the point of bringing back the Tick-tock Man from book three if he was barely a threat? Is King even trying to write a western mixed with fantasy? A Mexican stand-off would have been better but all we get is Eddie and Susannah gunning him down without effort in a parody of the Wizard of Oz.

Then we finally get the reveal after Roland and his ka-tet have been in the aftermath of King’s The Stand a confrontation with Marten Broadcloak himself and the reveal that he is, in fact, Randall Flagg. This confrontation is great if you don’t know what happens in the rest of the books because there is a promise of a future confrontation that never happens.

You can navigate to the other parts from here:

Changing to The Dark Tower – Part I – The First Three Books

Changing to The Dark Tower – Part II – Wizard & Glass

Changing The Dark Tower – Part III – Wolves of the Calla

Changing the Dark Tower – Part IV – The Song of Susannah

Changing The Dark Tower – Part V – The Final Book & Mordred: All Hyper, No Substance

Changing The Dark Tower – Part I – The First Three Books

When I first read Stephen King’s opus, The Dark Tower, I was much younger and eating through books like gravy and mozzarella covered curly fries while drunk in a diner. I was not yet a writer so my opinions on storytelling was much different.

As I am going through them again I am noticing their flaws. I still cherish this story but some of King’s decisions are strange and I think part of the problem is how long it took to finish the seven original novels.

Granted, this is just my opinion. I am sure some people believe the story is perfectly fine as it is. I am also sure, having done writing myself, that Stephen King is not lying when he talks about how difficult it is channeling Roland’s story and how the story wrote itself when he can.

Still, here’s what I would change going in chronological order of the books starting with books 1-3.

The Gunslinger

– Let’s start with the problem of Marten Broadcloak / Walter Padick / Randall Flagg. I like the idea of Randall Flagg being a cross-dimensional villain in Stephen King’s books but all the names and different identities are excessive. Marten Broadcloak is Randall Flagg is the Man in Black that flees across the desert. No Walter O’Dim, Walter Padick, and all the other names he goes by. It’s just too much.

– Plant more seeds for the Crimson King here. He’s mentioned once by a throwaway character in this book and then we never hear his name again until book four and only on some graffiti.

– All the information doesn’t have to be given at once but more insight into what Roland intends to do when he gets to the top of The Dark Tower should be foreshadowed here.

The Drawing of the Three

– If Nineteen is going to be a reoccurring theme, then start with it here.

– Give the readers hints that Marten (no longer Walter) is not really dead.

The Drawing of the Three / The Waste Lands

– The Drawing of the Three is by far the best book of The Dark Tower series but the best ending for this book is the part one of The Waste Lands. Jake Chambers should have been drawn to Mid-World in the second book. The reunion scene between Jake and Roland was the catharsis readers needed for all that tension in book two.

– Plus, now we learn the Ka-Tet will be following the path of the beam in book two rather than waiting until book three.

The Waste Lands

– With the drawing of Jake in book two where it belongs book three can end where it should, with the beginning of book four and the end of Blaine the Mono.

– Without the drawing of Jake in this book the story is kind of lacking. What it needs is more development of the overall plot. Like in the last book let’s get a glimpse of Marten’s / Randall’s point of view.

– It takes way too long to get to the plot of Susannah’s pregnancy, and not only diminishes this conflict but Mordred as a villain overall. Let’s start addressing it here.

– As early as River Crossing or somehow in the city of Lud let’s have the group find out there is something wrong with the beams rather than later on in the series. It’ll make the journey to the tower more urgent.

– Even more nineteen, that way close readers will start to see the patterns but casual readers will still be surprised in book five.

– With what horrors Roland and his Ka-Tet see in the waste lands, let’s acknowledge that they’re probably from the Prim, the primordial chaos where demons in Roland’s world comes from.

You can navigate to the other parts from here:

Changing to The Dark Tower – Part I – The First Three Books

Changing to The Dark Tower – Part II – Wizard & Glass

Changing The Dark Tower – Part III – Wolves of the Calla

Changing the Dark Tower – Part IV – The Song of Susannah

Changing The Dark Tower – Part V – The Final Book & Mordred: All Hyper, No Substance

 

First Impressions of The Hobbit: Battle of (the) Five Armies.

Right off the bat you are going to be entering spoiler country for the movie which premiered last night / today.

Last chance before spoilers.

Last chance before spoilers.

The biggest complaint everyone has had about the Hobbit movies in general has been either 1) It’s bloated 2) It’s different from the book 3) Too much CGI and 4) It’s not The Lord of the Rings trilogy.

I don’t have any of these problems with the movie. I don’t think it’s bloated because I left this movie wanting more. I don’t care that it’s different from the book, I already own the book. The CGI is a bit much, I’ll agree with that but ultimately hasn’t stopped me from enjoying the movie. Lastly, I don’t think The Lord of the Rings trilogy is perfect either. In fact, there are some things I like better than in the original.

That’s the movies as a whole but the subject of this post is the third movie. I refuse to add that extra the before Five Armies so please excuse me. I’m going to use a system of what I liked, what was so-so and what I didn’t like.

What I Liked

Martin Freeman’s Bilbo, who is revealed to have taken the Arkenstone during his confrontation with Smaug, steals every scene. He’s the voice of reason where Gandalf fails to be and as the hobbit of the Hobbit he brings the everyman perspective to this giant world of lords and kings.

The final fight between Azog and Thorin on the ice. They did a good job of amping up the threat of Azog from the first movie and mostly absent appearance in the second movie. The two felt evenly matched to me where I thought it was going to be rather one sided.

The purpose of why Sauron wants the Lonely Mountain and his hope of returning the kingdom of Angmar to power. I don’t know if it’s accurate to the geography of Middle-Earth but I did find it really interesting. In addition to this, the appearance of the nine men who received rings of power was fantastic. As minions of Sauron to have armor that was like his but suited to each individual one was a thrill to watch.

In the same scene, from Galadriel’s use of her ring of power to watching Saruman and Elrond take on the nine ringwraiths was one of those “We never get to see this, I am so glad we’re seeing this” moments.

I was also joyfully surprised how much of the siege of Erebor and Bilbo’s involvement with manipulating Thorin for peace wasn’t change all that much.

Bard too was a breath of fresh air, much more of a leader and doomsayer akin to his book version than I believe he was in Desolation of Smaug.

Lastly, a part of the movie I swore was going to be cut, the auctioning of Bag End made it into the movie with a cameo by Lobelia Sackville-Baggins and the company Grubb, Grubb, and Burrows.

What Was So-So

The opening scene that led to Smaug’s defeat at the heads of Bard the Bowman was great but I felt like it should have been the ending of the last movie rather than the beginning of this one. I understand why they put it at the beginning of this one but the ending of the second wouldn’t of felt so abrupt.

Also, the death of the Master. Why was Stephen Fry killed off so quickly? Seemed kind of a waste to me.

What I Didn’t Like

Not enough Bilbo and this is in part due to the ending. Far too abrupt for my taste, which I am sure they did in response tot he complaints of Return of the King’s ending. There was no Bilbo being named Elf-friend after returning those jewels to Thranduil. There was no return visit to Beorn’s house. There was no return to Rivendell, where Bilbo would have Sting’s elf runes inscribed on it.

That weird transformation Galadriel went through in fighting back Sauron looked awful. I liked what she was doing but not how she did it. Also, why did Galadriel become suddenly weak but Elrond and Saruman were fine? Don’t say because she used up her power to heal Gandalf because Sauron clearly says to her that she was losing power before that. Thirdly, I was really hoping Galadriel was going to come in with badass armor. She knows how to fight, she isn’t just this wafting faerie with superpowers. When she finally starts acting badass they just screwed it up by giving her this weird dark aesthetic. It did not work for me at all.

One thing everyone can agree on, why did the character of Alfred get so much screen time? If anything he should of been killed by Smaug and his character replaced by the Master. That would of been more in line with the book and Stephen Fry is a very talented actor who would of made a much better comic relief than whoever Alfred was played by.

I didn’t completely hate the Dragon sickness, it is a part of the book I had hoped they would explore but it took up too much screen time. I liked the choice of Thorin starting to sound like Smaug but that scene, and the one where he finally snaps out of it went on for too long in my taste.

A realization that I had during this film about Azog, Bolg and the orcs in this trilogy is that I don’t like the choice to have them only talk in black speech at all. Orcs from Mordor spoke in Westernesse (English or whatever language you’re reading the book in) why do these orcs only speak in another language? I understand why, I just don’t think it was a good choice for all three movies.

Again, I said this in my Desolation of Smaug review but while most people feel tacking on Tauriel was unnecessary I feel Legolas is the part that should be cut. A lot of it was either bad or worthy of being cut in my eyes. The drama with his dad, the information about his mother, the fight with Blog all would of been parts of the movie that I edited out.

In fact, I think Tauriel character serves as a far better foil to Thranduil than his son does. She’s a lower class elf, in the elf king’s eyes, who could of shown him the error of his ways. Instead, Legolas just buts in to prevent her death. The only part I enjoyed with the character was his shooting the orcs in Thorin’s path from the tower, and him giving Orcrist to Thorin to save his life.

Lastly, and this harkens to the ending again, there’s no resolution for so many characters. What happens to Saruman when he says “leave Sauron to me”? Are we just supposed to assume he does something? So Radagast was on top of the eagles, and that’s all we get? No explanation to why he isn’t in The Lord of the Rings trilogy. We don’t get to see the burial of Thorin, Kili, and Fili. We get no resolution with Tauriel. Everyone’s already complaining about the movies feeling bloated, that’s never stopped Peter Jackson before. Now suddenly, he’s had a change of heart and tried to make the ending as brief as possible leaving the ending very unsatisfying as far as my opinion is concerned.

Hobbit sized editions of The Hobbit and The Lord of the Rings.

Yesterday I received in the mail my pocket sized copies of The Hobbit and The Lord of the Rings pictured here:

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Also here:

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The outside feels like this faux leather that bends easily like rubber but seems like it could take a lot of abuse.

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Since they are pocket sized of course the writing is small but the type is equal to any hardcover or paperback edition. In fact, it looks almost exactly the same like they were originally larger and went through a shrink ray.

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In fact, I was surprised to find The Return of the King still included the appendices and the index.

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As far as fitting into my pocket is concerned, it fits about as well as an iPhone 6+. They’re definitely not meant for small pockets or tight jeans but fit nicely in the pockets of my coats, sports coats and blazers.

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They’re a nice edition to my collection and I plan on annotating them to death. If you’re buying these books for the first time though I don’t suggest them.

Resisting Reading.

I haven’t always been an avid reader. I have always had great reading skills but reading books for leisure was something I resisted up until I went to college.

I was often bullied, made fun of and nicknamed from elementary school until the end of junior high school. Nerd & Geek culture wasn’t like it is now. If you were different, you were bullied and you couldn’t be more different if you did anything that fell into that kind of nerdy category like reading for fun. That was something losers did, losers who tried to be smart and being smart meant you were an outsider. It wasn’t cool and it wasn’t what being a man meant. This is, of course, the opinion of the 6 to 12-year-olds who bullied me and even amongst some of my peers. I honestly don’t remember people who were good at math getting the same chagin and those who read books for fun. It was either sports, video games, professional wrestling or cool action movies. Never books.

It’s not as if my parents didn’t try. They read to me as a smaller child and every time they went to the library they would ask me if I wanted anything. “No,” I would say and play through Super Mario World for the 50th time. When a Border opened up for the first time near our house, I believe around when I was 12ish, is when my parents got me to read some books. It wasn’t many though. In fact, it was a series by Bruce Coville that started with Aliens Ate My Homework. 

I can think of so many times I was bored in the library, walking up and down the aisles. I wonder how many times I passed J.R.R. Tolkien, Stephen King, or Douglas Adams walking those aisles. Instead of reading it I would wait for the library to get the latest copy of Nintendo Power. That’s how I discovered the Nintendo 64, through the library’s copies of that magazine.

The dilemma I faced though was that I wanted to be a writer. It’s hard to be a writer if you’re so resistant to liking books. If you look at my 6th grade yearbook, when they ask what you wanted to do when you grow up I wrote movie script writer instead of writer or novelist because writing wasn’t cool but movies were.

Then when I met who would become my best friend from 8th grade to 12th and he introduced me to hip-hop I suddenly had a new world to explore that I never had before. In my mind, writing other genres of music was about playing instruments first and lyrics second. With hip-hop, it was mostly about the words and the rhythm of words. When he would ask me to join his rap group, I suddenly had an outlet for my writing. I wasn’t very good at the performing part but I love writing lyrics. So many marble notebooks just filled with lyrics and song ideas.

I was always good at reading though. When Shakespeare was taught in class I had no struggle with the language. Spelling and vocabulary tests were what I lived for. When my 10th grade English teacher showed us Finding Forrester I immediately connected with it.

Then we had a major falling out and I was left without my main group of friends. Suddenly I hated writing, very resistant of it. I associated writing with that friendship and I had no desire to do it anymore. Without music or writing I had to think of what I was like before I met my highschool group of friends. Besides video games I would read comic books. My dad would bring home bundles of Spider-Man, Green Lantern and The Simpsons comic books for me to read. I remember this shop my mom used to hate bringing me to because the parking lot was so bad and immediately looked it up. There, I saw Green Lantern Rebirth #3 and asked the clerk about it. He found me copies of the first and second issue and that’s where my comic book habit started and my love for reading began to grow strong again.

It was when I went to a Barnes & Noble for the first time that I started transitioning from comic books to books. It all began with this beautiful leather bound copy of The Hitchhiker’s Guide to the Galaxy then at Christmas I got an equally beautiful copy of The Lord of the Rings. It’s been all about books since then.

A Word on the Desolation of Smaug – Extended Edition Trailer

http://www.youtube.com/watch?v=wrmCVpAq_s8

The blu-ray for the extended edition of The Hobbit: Desolation of Smaug comes out November 4th in the United States. My copy will hopefully arrive that day but in the meantime here’s a trailer that offer two major bits that got axed from the theatrical edition.

First of all, though he looks a little tall to me in the trailer, that is Thráin, Thorin’s father, confronting Gandalf in Dol Goldur and shouting that Thorin must never enter Erebor. Finally, after getting a name drop in the extended edition of An Unexpected Journey perhaps what has happened to the last dwarven ring of power will be explained. Also, with the jumbling of time Jackson has done I can’t wait to see how he explains Gandalf getting the key and map from Thorin’s father before they’ve actually met in Dol Goldur, that being originally how he got it in the books.

Second, there’s Beorn, barely even in the theatrical release it seem, and this is just my guess, most of what was cut from the film involves Beorn. Before the release of the film there was talks of Beorn hunting down orcs at night to corroborate Thorin and Gandalf’s story. The other part seen in this trailer involving Beorn is in his garden with him chopping wood, possibly for a scene of exposition between Gandalf and Beorn or perhaps the introduction of the dwarves and the telling of what has happened to them so far just as in the books. Also, it looks like a scene in the forest involving Beorn and Gandalf is included as well. It could be possible that Beorn escorts Gandalf part of the way to Dol Goldur considering that the wizard has one of his horses.

Also in the trailer, besides reiterating what was in the theatrical release are scenes involving a conversation between Thorin and Bilbo upon arriving in Laketown and one between the Master of Laketown and Alfred of what Thorin’s quest means to him.

Not included in the trailer but released earlier this summer is extended Mirkwood scene mirroring the one in the book where they have to cross the river and poor Bombur falls into the enchanted water and the company is forced to carry him. You can see most of that scene here:

In interview, Richard Armitage mentions Bilbo and Thorin seeing the white stag, just like in the books, but this stag is projection of Thranduil into the forest. Thorin will try to kill it of course, because dwarf king no like elf king.

It’ll be interesting to see what else was cut that are scenes from the book and what Peter Jackson, Philippa Boyens and Fran Walsh made up for their version of The Hobbit.