Finally through the boring fire that is book three of The Dark Tower by Stephen King we leave Wizard and Glass behind to return to the main story of the series with the Wolves of the Calla and The Song of Susannah. Though not the best in the series the Wolves of the Calla is definitely the best of the later books in the series while The Song of Susannah leaves you wondering whether it is wholly necessary or wishing there was more.
books
What to Read While Waiting for The Winds of Winter.
Supposedly, George R.R. Martin has finally finished the sixth installment of A Song of Ice and Fire titled The Winds of Winter, according to one of the directors from Game of Thrones. Until it comes from the source this is enitrely speculation. Luckily, there are a lot of books out there for you to read while you wait. Fantasy has not sat back waiting around while Martin works on the book in MSDos, continuing to publish books on par with his ambitious series.
Some of these recommendations are simlar to A Song of Ice and Fire, some only share the same Fantas genre, and lastly is a list of those recommended by others but whose qulaity can be corroborated. By the time you finish this list, maybe the real release date will be announced. Maybe even the book will be released by the time you’re done.
The First Law Trilogy by Joe Abercrombie
The Blade Itself
Before They Are Hanged.
The Last Argument of Kings.
First Law World by Joe Abercrombie
Best Served Cold
The Heroes
Red Country*
Kingkiller Chronicles by Patrick Rothfuss
The Name of the Wind
The Wise Man’s Fear
The Slow Regard of Silents Things (An in between novel.)
Gentleman Bastard Sequence by Scott Lynch
The Lies of Locke Lamora
Red Seas Under Red Skies
The Republic of Thieves
The Farseer Trilogy by Robin Hobb
Assassin’s Apprentice
Royal Assassin*
Assassin’s Quest*
Crescent Moon Kingdoms by Saladin Ahmed
The Throne of the Crescent Moon
Sandman Slim by Richard Kadrey
Sandman Slim
Kill the Dead
Aloha from Hell
Devil Said Bang*
Kill City Blues*
The Getaway Gods*
Novels by Neil Gaiman
Good Omens (written with Terry Pratchett
Neverwhere
Stardust
American Gods
Anansi Boys
The Graveyard Book
The Ocean at the End of the Lane
Books by China Miéville (There are others but I can’t recommend them.)
The City & The City
Kraken
Embassytown
The Inheritance Trilogy by N.K. Jemisen
The Hundred Thousand Kingdoms
The Broken Kingdoms
The Kingdom of Gods
Mistborn by Brandon Sanderson (Though I did not like books two and three.)
The Final Empire
The Well of Ascension
The Hero of Ages
Shattered Sea by Joe Abercrombie
Half A King
Half the World
Half A War
J.R.R. Tolkien’s Legendarium
The Hobbit
The Lord of the Rings
The Silmarillion
The Dark Tower by Stepehen King
The Gunslinger
The Drawing of the Three
The Waste Lands
Wizard and Glass (The worst in the series.)
The Wolves of the Calla
The Song of Sussanah
The Dark Tower
Other Books
Elantris by Brandon Sanderson
The City Stained Red by Sam Sykes
Books Recommended by Others / Series I Haven’t Read Yet
The Stormlight Archive by Brandon Sanderson
The Way of Kings
Words of Radiance
The Tawny Man Trilogy by Robin Hobb
Fool’s Errand
The Golden Fool
Fool Fate
The Fitz and the Fool Trilogy
Fool’s Assassin
Fool’s Quest (coming in August 2015)
Assassin’s Fate (forthcoming 2016)
Other Books
A Crown for Cold Silver by Alex Marshall
Uprooted by Naomi Novik
*Haven’t read yet but didn’t want to cause confusion by breaking up the series.
Appreciating A Clash of Kings by George R.R. Martin
Most people, when talking about the A Song of Ice and Fire series by George R.R. Martin, rank A Feast for Crows as the least interesting followed by A Dance with Dragons.
The first time through though. the second book in the series, A Clash of Kings, bored me in every chapter that wasn’t a Tyrion or Davos chapter. It’s not the book’s fault but a fault of my own.
You see, I have this problem when it comes to reading. Every time I try to read a series in succession I grow bored, no, restless during the second book. It becomes hard for me to concentrate and I always end up putting the book down, especially since I’ve figured out this flaw, and picking up a different one. I think it might stem from my A.D.D. (which I was diagnosed for, not just the many people claiming to have it) but I can’t be sure.
Besides A Clash of Kings other victims of this dilemma include the second Mistborn book, The Well of Ascension by Brandon Sanderson, The Restaurant at the End of the Universe by Douglas Adams, The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle, and even The Two Towers by J.R.R. Tolkien. It’s just when Sam and Frodo are climbing down the elven rope that I put it down though unlike the others listed I picked it back up shortly after. Spoilers ahead.
You Should Read: The City Stained Red by Sam Sykes & Rat Queens by Kurtis J. Wiebe (A double.)
This is a double You Should Read, a feature that is mostly in my drafts folder more than actually published in my blog. A lot of the time it’s because I’m not sure what I want to say about a book besides “This story blew my mind / was awesome / was cool / so good that I wish I could write like this!” and that doesn’t make much for a blog post.
Some Chosen Quotes on Game of Thrones Season Five. (via Instapaper)
Spoilers for the entire series and the entire book series are inbound. I’m tired of that Nathan Fillion .gif so that’s the only warning you’ll get. These are the posts I’ve read the past week about season 5 of Game of Thrones. I don’t agree with the last two articles but I thought they were worth reading.
Joe Abercrombie’s Half the World is What Half A King Should Have Been.
Last year, one of my favorite authors, Patrick Rothfuss, said Half A King was “[his] favorite Abercrombie book yet. And that’s really saying something.” So naturally I decided to buy, and all his other books. I started The Blade Itself a week before Half A King was to be released and ate it up like I had The Name of the Wind and The Lies of Locke Lamora. When Half A King arrived I read it and when I did I couldn’t wait to finish because I wanted to go back to reading The Blade Itself.
The fact that Half A King was Young Adult didn’t bother me, but everything else did. It all seemed so predictable, paint-by-the-numbers kind of characters and plot. Then the ending came too quick and too anticlimactic. By the end Yarvi broke the greatest sin for a protagonist, I no longer cared about him.
So it was with great reluctance that I started Half the World, the second book in the Shattered Sea series. I need that Joe Abercrombie fix but needed it to be quick because I was right in the middle of reading A Clash of Kings by George R.R. Martin. I was absolutely blown away.
- Yarvi’s weakness was his crippled hand and how that limited his abilities. Thorn and Bran, though, suffer from internal struggles of self-doubt, anger, and worthlessness. I found this far more engaging because once you figured out Yarvi was clever, you knew he’d always think his way out of any limitations his hand caused.
- Yarvi’s story seemed more coming-of-age, as most YA is, but Abercrombie blends Thorn and Bran’s coming-of-age with the hero’s journey as the two become stronger and prove their worth to the rest of the crew.
- The lore of the Shattered Sea is explored and expanded upon. Half A King seemed so focused on getting back to Gettland that the rest of the world didn’t seem to matter. Plus, the history of the elves, magic, and what disaster they caused is given to us to small amounts to entice the reader’s interest.
- With a bit of age and without his point-of-view Yarvi’s cleverness is more impressive and without his inner monologue, much more cunning.
- With war looming, their cause seems more desperate, the tone more serious, and with better protagonists I’m more worried if they’re going to make it out okay. When events go awry and the characters make a mistake they could have avoided, I am more concerned. When the characters get seriously hurt, injured, and killed I know Thorn and Bran are not completely safe (even though they are.) It’s easier to believe the protagonist isn’t safe when they’re not so clever.
- I had to reopen the first book to discover that Thorn was the thirteen-year-old girl who witnessed Yarvi, with his short time as king, dueling with Keimdall.
- When characters from the first novel are reintroduced, it’s a sure sign of a better book that even when I don’t fully remember the first book Abercrombie makes me feel something for them in the second.
- The romantic tension between Brand and Thorn simmers slowly and never overtakes the main plot or the action. By getting both of their point of views, you get to be frustrated as they each have the same doubt about the other liking them. Sexual tension builds, romantic mishaps happen, and they both get to the point where you wish someone would just sit them both down and go you’re crazy for one another, just kiss already. Someone does and without feeling like a Deus Ex Machina.
- Abercrombie does this through Rin, who through her brother’s and hers experience of hardships teaches Thorn a lesson above privilege, appreciating what she haves, while giving Thorn enough information to figure out what an idiot she’s been with Brand.
- What is a well thought out move, just because they are together doesn’t mean Brand and Thorn’s self-doubts don’t just go away.
- While war is often romanticized in books such as this, especially considering it’s based on Vikings and Norse culture, seeing Brand’s trauma and struggle with the morality of raiding villages hit hard. Then when he stands up for peace and the king praises him for it you feel proud of him also.
- The twist with Grom-gil-Gorm, Mother Isriun, and having Thorn as the Queen’s chosen shield to fight Grom was such a satisfying moment, like when Eowyn reveals herself to the Witch King.
- Then to have Grom, having grown tired of Mother Isriun’s orders, sparing Thorn, turning away from the High King, and forging an alliance with Gettland was a resolution I both didn’t see coming and thoroughly enjoyed. I just assumed, probably because I’ve read so many books where the child becomes the great warrior and avenges their father, that Thorn would find a way to kill Grom.
- Bran in the end shows his own cleverness against Father Yarvi proving himself as someone who stands in the light, as he puts it, without feeling as if his story has had a bad ending. Plus, a marriage proposal awaits Thorn.
- Then to end with Thorn telling off Master Hunnan and becoming a teacher just as Skifr did was the best conclusion this story could get. Perhaps one of these pupils will become the protagonists of Half A War. I’m looking forward to it.
Jorah Mormont’s Redemption Won’t Be Worth It.
Spoilers for all of Game of Thrones and all of A Song of Ice and Fire up to now, right up front.
Jorah Mormont, played by Iain Glen on the show, is an exile from Bear Island due to selling poachers on his land to slavers. When the show begins he attends Daenerys Targaryen and Khal Drogo’s wedding as a spy for Varys, sending back information about the exiled Targaryens in hope of earning a royal pardon.
He eventually falls in love with Daenerys, saves her life from poisoning, and stop sending back reports to Varys fully committing himself to his khaleesi. The problem is, and this is where her point-of-view chapters from the books benefit, is that he sees her as both a child and as someone he wants to bed. She needs him to see her as a queen.
It feels like Emilia Clarke’s Daenerys knows this but we cannot be sure. Unlike the beginning of A Storm of Swords, Jorah never has this big reveal of his love for her until it is too late. This doesn’t make Jorah any less a creep, as the audience knows he secretly loves her through Viserys’ reveal in season one, his fatherly protection of her in seasons two and three, and his jealousy of Daario in season four.
On the show, Tywin Lannister uses the royal pardon that was promised to Jorah to separate the two of them. In the book, it is Barristan Selmy who reveals this fact and the two of them have to prove their loyalty to Daenerys by breaking into Meereen. In either medium she both rejects him and exiles him from her presence.
This leads us to Sunday’s episode Sons of the Harpy in which Ser Barristan Selmy is killed by the Sons of the Harpy, a group of insurgents fighting against her rule in Meereen. Meanwhile, Jorah has kidnapped Tyrion in Volantis.
The death of Barristan Selmy was a surprise and an annoyance. Not because it was different from the books, that’s only part of it. Some of Barristan’s best moments in the series comes at the end of A Dance with Dragons and thanks to D.B. Weiss and David Benioff we’ll never see them. Is it the biggest deal? No, but it makes the plot for the rest of the season really predictable.
Without Barristan, Daenerys is without a close advisor. Who should happen to be heading back her way but good ol’ stalker creep Jorah Mormont with Tyrion in tow doing whatever he can to earn his way back into her good graces by bringing her one of her enemies.
He’s going to arrive, and Tyrion is going to betray him instantly. He’s going to spin a clever tale that’ll make him her new advisor and put Jorah right into the fighting pit, and will try to save Daenerys when Drogon returns. Of course he won’t be needed, this is when Daenerys will finally mount Drogon and fly with him leaving Jorah behind to take care of Meereen along with Tyrion. Uh oh, the hijinks that will ensue. In the books, Tyrion and Jorah had not yet arrived but Barristan was there to take care of Meeren as Lord Commander of her Queensguard when she takes off. All those moments he has, and it does involve the Sons of the Harpy, will now be Jorah’s.
That’s not all Jorah will do. Before he meets Jorah, Tyrion travels with Jon Connington, Rhaegar’s former best friend who contracts Greyscale rescuing Tyrion as they pass Stone Men, a group of people infected by the disease that they pass. Gee, Greyscale sure has mentioned an awful lot this season. I wonder if that’s relevant? For Jorah Mormont I bet it will be.
What better way for the show-runners to redeem Jorah by
- Infecting him with a fatal disease
- Bringing a beloved character (Tyrion) to another beloved character (Daenerys)
- Fighting to the death in the fighting pits until…
- Drogon arrives and he tries to protect Daenerys then…
- Gets all the badass fighting scenes defending Meereen while the queen is away.
I can understand cutting Jon Connington and his story from the show, and even giving part of that story to Jorah but he is not so great a character that it was worth losing Barristan Selmy, the only good person left in the show who
- Both Eddard Stark and Jaime Lannister revere.
- Who told off King Joffrey just after the boy king cut off Eddard’s head.
- Who Tywin Lannister thought dismissing Barristan was a dumb move.
- Who was the only one not to attack Eddard in the throne room and
- Questioned Cersei’s dismissal of Robert’s last requests.
- Kills the gold cloaks that go after him to prevent him from leaving King’s landing.
Some of these scenes don’t make it to the show, along with the ones that will occur after his death, and all for the sake of redeeming Jorah Mormont. I don’t mind changes from the book but that’s not going to stop me from criticizing bad storytelling. If my prediction for Jorah Mormont is right, it’s going to be bad.
How Did Peter Jackson Read This Passage and Still Get the One Ring Wrong?
In book six, which is the first part of Return of the King, Samwise Gamgee is alone in Mordor with the One Ring having just found out Frodo is still alive and taken captive after the confrontation with Shelob.
His thought turned to the Ring, but there was no comfort there, only dread and danger. No sooner had he come in sight of Mount Doom, burning far away, than he was aware of a change in his burden. As it drew near the great furnaces where, in the deeps of time, it had been shaped and forged, the Ring’s power grew, and it became more fell, untameable save by some mighty will. As Sam stood there, even though the Ring was not on him but hanging by its chain about his neck, he felt himself enlarged, as if he were robed in a huge distorted shadow of himself, a vast and ominous threat halted upon the walls of Mordor. He felt that he had from now on only two choices: to forbear the Ring, though it would torment him; or to claim it, and challenge the Power that sat in its dark hold beyond the valley of shadows. Already the Ring tempted him, gnawing at his will and reason. Wild fantasies arose in his mind; and he saw Samwise the Strong, Hero of the Age, striding with a flaming sword across the darkened land, and armies flocking to his call as he marched to the overthrow of Barad- dûr. And then all the clouds rolled away, and the white sun shone, and at his command the vale of Gorgoroth became a garden of flowers and trees and brought forth fruit. He had only to put on the Ring and claim it for his own, and all this could be. In that hour of trial it was the love of his master that helped most to hold him firm; but also deep down in him lived still unconquered his plain hobbit- sense: he knew in the core of his heart that he was not large enough to bear such a burden, even if such visions were not a mere cheat to betray him. The one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command. ‘And anyway all these notions are only a trick,’ he said to himself. ‘He’d spot me and cow me, before I could so much as shout out. He’d spot me, pretty quick, if I put the Ring on now, in Mordor. Well, all I can say is: things look as hopeless as a frost in Spring. Just when being invisible would be really useful, I can’t use the Ring! And if ever I get any further, it’s going to be nothing but a drag and a burden every step. So what’s to be done?’
Peter Jackson, Phillipa Boyens, and Fran Walsh must have read The Lord of the Rings before they decided to write the scripts yet somehow to most of the viewing audience the only power the One Ring had was to turn people invisible. Then again these are the same people who thoughts a simile about stretching shadows meant Balrogs had wings, that the metaphor for Sauron’s reach across Middle-Earth meant he was a giant flaming eye, and that because Ents language is much slower than English that this meant they were both passive and unaware of Saruman’s destruction.
I wonder if people ask them the same questions friends will ask me when they find out I am an avid reader of Tolkien. “Why is the One Ring such a big deal if it just turns you invisible? To convey it did anything else, it was probably a bad idea to show that scene of Isildur retreating into the water with the ring on and turned invisible. It was probably a bad idea to cut this bit of dialog between Frodo, Sam, and Galadriel.
‘I would ask one thing before we go,’ said Frodo, ‘a thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?’
‘You have not tried,’ she said. ‘Only thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become far stronger, and to train your will to the domination of others. Yet even so, as Ring- bearer and as one that has borne it on finger and seen that which is hidden, your sight is grown keener. You have perceived my thought more clearly than many that are accounted wise. You saw the Eye of him that holds the Seven and the Nine. And did you not see and recognize the ring upon my finger? Did you see my ring?’ she asked turning again to Sam.
‘No, Lady,’ he answered. ‘To tell you the truth, I wondered what you were talking about. I saw a star through your fingers.”
You could easily cut to her ring after showing Frodo, then do it again after showing Sam to show he can’t see the ring. You can cut this dialog down a bit and still have it explain how the ring works. This is literally dialog you could of used, Jackson. You show plenty of times when resisting putting on the ring is difficult, but you do a terrible job of showing why the ring is a power, a threat, and wanted by Boromir and Denethor (Faramir too in the movie version.) What about how the ring makes Frodo appear to Sam when Gollum swears upon the precious?
For a moment it appeared to Sam that his master had grown and Gollum had shrunk: a tall stern shadow, a mighty lord who hid his brightness in grey cloud, and at his feet a little whining dog. Yet the two were in some way akin and not alien: they could reach one another’s minds.
That’s not a metaphor, that is literally how the One Ring’s power affects Frodo by being its bearer. Hard to convey, maybe, but no less hard than the spirit world in which Frodo enters when he puts on the ring. Later when Gollum tries to suggest giving the ring to him Frodo tells him.
In the last need, Sméagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Sméagol!’
Having this dialog would
- Show how the ring gives the power to command, even to a hobbit.
- Show how Frodo has grown in power, even though the ring is making him weak physically the closer they get to Mordo
- Show how susceptible Gollum is to the power of the ring
- Give some well needed credibility to your version of Frodo, who has been made younger and has all the parts where he has shown any sort of bravery cut from the movie, but that is a post for another time.
It is one thing to cut parts of the book out of the movie. Obviously there are time restraints but some of these moments would add seconds, maybe five minutes at most that could easily but cut elsewhere. It is not a matter of audiences being dumb either, but the One Ring in Peter Jackson’s The Lord of the Rings is not explained very well at all. It is portrayed as more of an sigil for addiction rather than an artifact of power.
The Battle of Pelennor Fields | Quote by J.R.R. Tolkien
“In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face.
All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen.
“You cannot enter here,” said Gandalf, and the huge shadow halted. “Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!”
The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter.
“Old fool!” he said. “Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!” And with that he lifted high his sword and flames ran down the blade.
And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn.
And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin’s sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.”
via Goodreads | Quote by J.R.R. Tolkien: “In rode the Lord of the Nazgûl. A great black s…”.
Gives me chills down my spine every time I read it. One of the few times Peter Jackson was able to evoke the same kind of emotions in the film version was Rohan’s charge into battle.
Speculations for Joe Abercrombie’s next The First Law trilogy
Author Joe Abercrombie tweeted this today:
Joe Abercrombie’s The First Law trilogy was one of the best fantasy series I have read in years. I ate it up nearly as quick as Patrick Rothfuss’s Kingkiller Chronicles, Stephen King’s The Dark Tower or more recently Scott Lynch’s Gentlemen Bastards. It felt like reading The Lord of the Rings if Middle-Earth were as brutal of a world of George R.R. Martin’s A Song of Ice and Fire. Just like people you’ll love the main characters one minute and hate their guts another. I never saw the twists coming, and when dialog was spoken I thought afterwards of course they would say that. I left reading the books thinking I could write something like this because of the ease of the prose then jealous when I realized how wrong I am because these books were brilliantly written. It’s one of those series that leave you floored as a reader and a writer.
As always remember that there are spoilers ahead.
I have to say ahead of time I have not read the First Law side books though I do know the big reveal of Red Country. Red Country, being the latest book in the First Law timeline takes place thirteen years after The Last Argument of Kings. So here is what I am speculating will occur in the next trilogy.
- Sand dan Glokta and Jezal dan Luthar will no longer point-of-view characters. Jezal will make an appearance, maybe even just a mention but won’t have any prominent plot points. Glokta will be a prominent secondary character to one of the point-of-view characters.
- There will be three or four new point-of view characters to replace the one we’re losing: Jezal, Glokta and Collem West.
- I’m on the fence on whether Dogman will still be a point-of-view character.
- Logen Ninefingers (still alive as revealed in Red Country) and Ferro Maljinn will be the only returning characters with a point-of-view.
- What the Bloody Nine is will be fully revealed in Logen’s quest to confront Bayaz.
- Bayaz manipulation of the North and the Union will begin to unravel but perhaps not fully free of the First of the Magi until the third First Law trilogy.
- Ferro will have to deal with her madness if she is to accomplish her goals with the Gurkish.
- The spirits that Logen can talk to will become more prominent again, and why he can do so will be revealed.
- Perhaps Bayaz himself will have a point-of-view exploring his background with the other magi.
- The Great Eastern Library will make an appearance
- Maybe even one of the other magi not seen in the original trilogy will get a point-of-view to explore Bayazs background.
- We will finally meet Khalul in person, perhaps through Ferro but like Bayaz his downfaill won’t come until the next First Law trilogy.
- Tolomei will be released or break out from the House of the Maker
- It is implied that Bayaz killed Juvens, we’ll find out why.
- The other side will be explored more, perhaps be a main focus of the plot.
- The mythology of Euz and his four sons, Kanedias, Juvens, Bedesh and Glustrod will be explored.
- Logen Ninefingers will be actually dead by the end of this trilogy, having started what will be the downfall of Bayaz.
- However, the Bloody Nine may not. With Logen dead the Bloody Nine may takeover to wreak havoc in the third trilogy.
- Luthar may die before the end of the second trilogy.
- There is no way there is only two laws by Euz. A third law will be revealed.
- Cawneil, one of the magi, may be forced to give up her slothful ways in the Great Western Library, possibly even have a change of heart about being a cynic.
- Zacharus may take a stand against Bayaz, and he will fall doing so possibly revealing Bayaz’s more sinister nature.
Obviously this is all based on having not read the three World of the First Law books, as I understand Bayaz makes an appearance in one of them.
There’s nothing like the feeling of discovering a new favorite book series and I hope Abercrombie will continue to do so with the next trilogy.
