Books, Games, Wrestling Vol.5 – SAVE the World Championship

My first late edition. Most of this was written enough to release it on Wednesday, but I was struggling to find the words to express my feelings about Undertale‘s 10th Anniversary without sharing too much or getting wordy, but still making it feel personal. I don’t think I nailed exactly how I feel, but I did the best I could.

Games – Undertale 10th Anniversary

This year is Undertale’s 10th Anniversary, Toby Fox has been celebrating it with Fangamer in their first of a couple of streams with some unique things inserted into the game that have the fandom going wild and putting every detail under a microscope. I haven’t had time to watch the whole stream, but I have taken in a lot of what Toby Fox has had to say about it. I usually write most of these on the weekend or at least have a lot written in my head before I login to my WordPress account, but I’ve been struggling to articulate what this game means to me without going insane with the word count here. 2018 was a rough year for my family and me after a house fire destroyed our home and nearly all our personal possessions, but my community of friends, both online and offline, had my back and were kind enough to raise money so I could get back some of what I lost, including a Nintendo Switch. The kindness of people and that Nintendo Switch, which I still own, got me through what was one of the lowest points of my life. The games that I bought and played that year mean a lot to me, and Undertale was one of those games.

The only information I knew about the game was not to kill the monsters if I wanted to see the full story, and I didn’t listen. I can still picture myself sitting on the floor because I didn’t own a chair, my back against my mattress, and the rented bed frame the homeowner’s insurance got for us in the rental home we were going to be in for a year while the house had to be rebuilt. I had killed Toriel because I didn’t realize I could spare the bosses, too, and I felt so awful about it when Flowey the Flower reminded me I could actually reset the game, so I did, and then didn’t play the game for another three months. I don’t remember which song, but it was hearing a song from near the endgame that got me back into it, and then it blew my mind when Flowey called me out for resetting the game after killing Toriel so much. I stayed up all night in bed, doing the entire pacifist run to ungodly hours. Something about the situation I was in, the friends and family that supported me, and that finale of the pacifist run that just opened the floodgates when I played it. I’ve never teared up at really sad moments in stories. It’s those moments of triumph, overcoming overwhelming odds, when hope returns, that really gets me emotional, like when Gandalf arrives with the Rohirrim at the Battle of Helm’s Deep. That moment at the end of the game still gets to me. Just hearing “Hopes and Dreams” to “SAVE the World” to “His Theme” brings me back to the moments lying in bed thinking of everything I’ve been through from November 2017 to November 2018. The game will always be very special to me for that. It is a game about our connections to other people, and connections were very important to me in that year. Happy 10th Anniversary, Undertale.

Wrestling – Post- AEW All Out ‘25

Here is the thing about AEW pay-per-views, I haven’t watched one without my friends since Revolution 2020 and since then there have been maybe four of them that have been bad vibes, AEW All Out 2020 due to Matt Hardy getting concussed and them continuing the match, Double or Nothing 2022 because CM Punk winning the world title felt like the worst call you could make, World’s End 2023 because it might have been the only AEW PPV I would call boring, and World’s End 2024 because Adam Copeland was the least exciting return to take on the Death Riders after a weird fourway main event that made everyone in it look dumb as hell. All Out 2025 started out weird with Christian and Copeland vs. FTR in what I would describe as a main event of WWE Raw in 2019. In other words, this match fucking sucked, and I am so ready for Copeland to retire. I’ll sacrifice Christian retiring to not get more of this bullshit. I don’t care if he’s retiring or their history, I don’t want to see references to John Cena, Defender, and Best Friend to Sex Trafficking Vince McMahon on an AEW show, get the fuck outta here. The entire layout of this match screamed WWE-produced, and I was not here for it. It was not a great start for the show, but luckily, it was the worst match on the show. Even the Hurt Syndicate, which I do not give a fuck about, nor do I want to see MVP wrestle, gave us something better by at least losing to Ricochet’s new faction, The Demand.

The show felt all uphill from there for me. The return of Eddie Kingston, Mark Briscoe getting a victory over MJF, and Riho having a great showing against Mercedes, showing some ego against the TBS Champion, that I greatly enjoyed so much that I’d love for them to run it back. The three-way match between Okada, Takeshita, and Mascara Dorada, if not for the main event, might have been my match of the night. I hope we get Takeshita vs. Dorada, Okada vs. Dorada, and of course, Takeshita vs. Okada sooner than later. Jon Moxley vs. Darby Allin’s Coffin Match was the kind of violence I desired after the high-octane match for the Unified Title, but I was pretty surprised to see Darby lose his first coffin match in AEW. I’ve been championing how great Kris Statlander is since she joined AEW in late 2019, and I was hooting and hollering when she did Chuck Taylor’s seatbelt pin to win the AEW Women’s World Championship against Toni Storm, Jamie Hayter, and Thekla. I recalled at that moment when Wheeler Yuta pinned Chuck Taylor with that same pin while Orange Cassidy was on commentary and Orange just saying, with sadness in his voice, “Chuck taught him that pin.” Speaking of Orange Cassidy, it was greatly hinted at that his return would be this Wednesday in a segment during the show, which added to the hype for me. Finally, the ladder match for the tag titles was insane, terrifying, and awesome. AEW could have pulled the trigger on giving Jetspeed the belts, or return them to the Young Bucks, but I was glad we’re continuing with Brodido, who were equally insane, terrifying, and awesome in this match.

Finally, the main event. I’ll never get tired of seeing Hangman Adam Page being the top babyface, the guy, the man, the world champ, and backing it up in one of my favorite matches of the year against TNT Champion Kyle Fletcher. I had no doubt going into it that Hangman was going to win, but the match gave me just that small amount of doubt that made this even more exciting. Kyle Fletcher is definitely going to be World Champion sooner than later, probably via beating Will Ospreay two years from now, but the chemistry between Fletcher and Hangman was top-notch. The poetry of Fletcher not getting the Tiger Driver ‘98 off, but Hangman Page being able to do Swerve’s Big Pressure was chef’s kiss. This is on my list of matches I am going to rewatch from this year, the first chance I get.

Books – Summer Reading Slump

It’s officially autumn here in the Northern Hemisphere, and I’m hoping my summer reading slump isn’t turning into a Fall one. Something about this year has been making it difficult to sit down and lose myself in reading like usual. I’m not reading any slower,r but carving out less time to read than I usually do. It honestly feels like a reflection of current events. I want to read more. I’m not enjoying reading any less. Hopefully, now that summer is over, I will get back into the reading swing.

I realized in the writing of this that I’m not taking my own advice. People who find out I read a lot of books often ask me how, and I often give the advice I first read in Stephen King’s book On Writing, you have to choose to. If you want to read a lot of books, you have to make the time in whatever part of the day you can, waiting in line, on the toilet, right before bed, right when you wake up, while eating breakfast, etc. Writing is this way, too. You can’t just wait for the perfect time or wait to be inspired you have to take the time by force and use it.

Changing The Dark Tower – The Dark Tower Movie.

Today sees the first trailer for The Dark Tower film,  directed by Nikolai Arcel with a screenplay by Akiva Goldsman, starring Idris Alba as Roland Deschain, the last remaining gunslinger, Matthew McConaughey as the Man in Black, and Tom Taylor as Jake Chambers. The film has been in development for a number of years with names like J.J. Abrams, Damon Lindelof, Ron Howard, and Javier Bardem all attached and having to drop the project at some point.

With movie adaptations come changes, and as Stephen King has said this is a direct sequel to his magnum opus so will change come to pass in this series of films. This reminds me of the series of posts I wrote airing out all the frustrations, with love, that I have with the book series. With the movie releasing in December perhaps it is time to reread the series and decide if the changes I thought of in 2015 were appropriate.

Changing to The Dark Tower – Part I – The First Three Books

Changing to The Dark Tower – Part II – Wizard & Glass

Changing The Dark Tower – Part III – Wolves of the Calla

Changing the Dark Tower – Part IV – The Song of Susannah

 Changing The Dark Tower – Part V – The Final Book & Mordred: All Hype, No Substance

After Zelda, Superheroes Were My Gateway To Fantasy.

After the news of celebrated writer and artist Darwyn Cooke’s passing, I picked my copy of Absolute DC: New Frontier and absorbed Cooke’s love letter to the Silver Age of the DC Universe.

It’s massive scale and the enormous cast of diverse characters combined with the lingering thoughts about Robert Jordan’s The Eye of the World reminded me that after The Legend of Zelda it was superhero comics that opened the gateway for my love for fantasy.

The similarities between the two are surprisingly plentiful. Just to name a few:

  • Garish costumes.
  • Systems of magic.
  • Unusual names and codenames.
  • The use of symbology.
  • Enhanced or enchanted armor, weapons, and items.
  • Prophecy and legends influencing the protagonists.
  • History, mythology, and continuity that dates back before a current story but has a lingering effect.
  • Multi-faceted heroes and villains that walk the moral line.
  • Archetypal heroes and villains that serve as both characters and symbols for their cause.
  • Conflicts on the micro scale within close knits groups,
  • Macro scale conflicts that put universes in jeopardy,
  • and those in-group conflicts affecting the chance of success of resolving those universal threats.
  • War: The consequences of war, the threat of war, and the aftermath of war.
  • Death: Heroes, villains, love interests, and side characters all dying and in some cases, coming back.

Superhero comics do have the advantage of being broad enough in storytelling that it can encompass many genres including fantasy. A majority of DC’s magic users, including Etrigan, John Constantine, Dr. Fate, Swamp Thing, Alan Scott, and oh, I don’t know, Neil Gaiman’s Sandman all either dip their toes or fully submerge themselves into fantasy.

What it comes down to is world building. If you can understand the chaos that is the worlds of Marvel and DC then remembering the houses on Game of Thrones isn’t that difficult. What’s different is that for Marvel and DC the rules are always changing. What most fantasy tends to do is either established the rules early on or establish the rules and break them early on to create conflict. This is because eventually those fantasy stories are going to end. Comic book companies are in the business of keeping their stories running for as long as they sell. Thus their characters have to change overtime but not necessarily evolve.

Plus, most series of fantasy novels are written by one creator while superhero comics is a ever-spinning turnstile of different writers and artists. Their environment, purpose, supporting cast, powers, appearance, and even their history could change from one writer to another. Elements that stem from roots in fantasy could not longer be in fashion. Now, their powers, equipment, cast, or origin may not be science fiction in nature.

This can be frustrating to the reader which could not be more apparent with the recent developments in [spoilers] DC Universe Rebirth and the first issue of Captain America: Steve Rogers. Change is acceptable in a fantasy novel, especially a series with no previous history (real world history that is) but not so with most superhero comics considering their long history dating back to World War II. Even new superheroes have this struggle because by the time you establish a new character in an ongoing over a certain amount of issues any change you make is going to met with resistance from your readers.

That and the price is why I made the jump. I was frustrated by bad writing of characters I loved and the ever increasing price of comics versus the price of books made the switch easy. Fantasy novels have stayed relatively the same price, they have a more complete story, no other bad writer is coming in and fucking up what the good writer has done, there are no editorial mandates to fit within a big event happening in another series, and  the story is self-contained.

Still, I may never hace found fantasy without superhero comics.

Impressive worldbuilding from Saladin Ahmed’s Throne of the Crescent Moon

Throne of the Crescent Moon by Saladin Ahmed.

Throne of the Crescent Moon by Saladin Ahmed.

Here’s a book recommended to me by Keri, a longtime fellow book buyer who also recommended to me three of my favorite modern day fantasy books that I just read this past week. I honestly didn’t know what to expect from Throne of the Crescent Moon by Saladin Ahmed.

As someone whose main interest is medievalism and fantasy I’m so used to that being the background for worldbuilding in epic fantasy books. So when I read this I was surprised to find it based on Arab and Middle Eastern culture which now seems so obvious as a rich source for worldbuilding that I am surprised it isn’t done more. Maybe it has and I’ve just not yet discovered those books.

The worldbuilding is where this book shines. The magic system is diverse, from the brief glimpse we get of it requires both vocal and written incantations. The types of monsters called ghuls which are raised from different elements including sand, water and skin ghuls. What stands out the most is the main city of Dhamsawaat brought to life by block names, class of people, merchants, factions and of course the royal palace of the Khalif which contains the titled Throne of the Crescent Moon.

The main characters, Doctor Adoulla Makhslood, Raseed bas Raseed, Zamia, Dawoud and Litaz all get points of views which really brings them to life as we get the inner workings of their struggle switching without delaying the action. Each one has both an inner and outer struggle you get to know and understand while also developing the relationships between the characters by letting us know what they think of one another. I think of George R.R. Martin’s A Song of Ice and Fire with each point-of-view chapter having a cap off at the end of each chapter. What Ahmed does is switches point of view from one chapter to the next in the middle of action. Just as an example Adoulla could be fighting a ghul with Raseed and be cornered and outnumbered then immediately the next chapter we get Raseed’s point of view as he tries to save his mentor.

The themes that come out in the book that I thoroughly enjoyed because of the switching point of views is the dynamics of age and youth, piety and apathy, experience and naievity. Adoulla, Dawoud and Litaz are much older having had their adventures together for many years. Their reaction to society is less rigid, more open minded as they’ve seen much of the world. Adoulla is very much a cynical old man wishing to retire viewing the established ruling power as incompetent if not corrupt. Zamia and Raseed both have a very rigid view of the world with very little experience of other cultures and ideas. Raseed because of the religious order and Zamia because of her tribe follow a strict set of rules that has been taught to them without questioning if those rules may be wrong or right in a given situation.

Where the novel is weak is in it’s plot development. The middle section after the setup of the conflict takes so long to gather the allies, uncover the secrets of their enemy and develop the plan only for the climax to be over in a blink of an eye. It never gets slow, only because by the time you’ve read the middle section you’re enthralled by the characters. You want to know more about them even when the plot isn’t advancing. The other weak part is the villain himself who we learn almost nothing about except for his name. Then when we finally meet him he barely speaks and is defeated in the blink of an eye after one of the characters finds his inner strength to overcome his self-doubt caused by the villain’s magic. His second in command does all the dirty work and gets the most development through exposition.

Does that seem harsh? I’m not sure but I would still recommend this book despite the little bit of shortcomings. I’m looking forward to the second novel The Thousand and One and how he’ll bring his main cast of characters back together.