Author: Joshua S. MacDougall

Here’s hoping “Civil War” is better in the Marvel Cinematic Universe.

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Reported yesterday, Robert Downey Jr. About To Join Captain America 3 And It May Be Civil War. If you don’t know, the basic premise of the Civil War storyline was a rift between Captain America and Iron Man over how superheroes should be handled. After a very public tragedy Tony Stark joins the government in establishing a superhuman registration act where every superhero must register their secret identity with the government and work as a kind of police force rather than vigilantes. Steve Rogers believe this is a violation of every superheroes civil liberties. Be warned after this there will be spoilers.

Last chance before spoilers.

Last chance before spoilers.

Forget the movies for right now. Let’s just talk about the comic for a minute. When it came out Civil War was a big deal for Marvel and selling very well. In the early 2000’s the Avengers had disassembled, gotten back together and reformed with new members so after all these years of building them back up Civil War had a high potential for exciting drama by breaking them apart again. Here’s the problem, it was so poorly executed.

In the main series Mark Millar claims he was trying to show both side of the argument, you know with Iron Man and Maria Hill acting like fascists, cloning their dead friends whose clone kills another one of their friends, imprisoning their friends in another dimension and generally attacking anyone who is anti-registration. We’re not talking about arresting his friends after a trial, Mr. Fantastic and Iron Man planned on imprisoning them indefinitely essentially taking away their civil liberties. Then, at the end, we’re supposed to believe Iron Man is in the right because a bunch of emergency personnel stopping  Captain America from taking Tony out to prevent more bloodshed? It’s such a sloppy ending, trying to put all the blame on Cap like Iron Man isn’t responsible at all for the collateral damage going on. I mean, by the end Iron Man needs to control villain with nanites in order to have people to fight against Captain America and we’re supposed to believe he is in the right?

All the other writers working on their respective titles didn’t help either. While Millar was trying to avoid any one side becoming the underdog in the main title, which I believe he failed miserably,  it was more black and white within the other books. Thinking of it now, if in his mind both sides had a fair point it paints a clear picture of Millar’s politics. Iron Man was clearly the villain and Cap and his team were the underdogs. In the aftermath, Cap ends up being assassinated making him a martyr and Tony is left being the most hated character in the Marvel Universe. It Takes Matt Fraction to make Tony Stark completely braindead and forget all about the Civil War when his brain is rebooted in order to return Iron Man to a more favorable light.

Okay, now onto the movies. Presumably Tony will create Ultron in Avengers 2 as a force for a good to protect the world which will fail. Feeling guilt ridden over this he’ll appear in Captain America 3 to begin the rift between Steve and himself. I’m not sure how they will execute it but this is supposed to lead into a Civil War storyline in Avengers 4.

The problem so far is that out of all the superheroes that exists in the Marvel Cinematic Universe right now, only Daredevil, which has not even been released by Netflix yet, has a secret identity. Tony Stark outed himself in the first Iron Man, Steve Rogers is a legendary WWII veteran, Thor has no secret identity, Black Widow outed herself, Sam Wilson and probably Clint Barton in bringing down S.H.I.E.L.D., Nick Fury is in Europe, Coulson is underground rebuilding S.H.I.E.L.D. and The Hulk has caused enough destruction at this point that Bruce Banner is probably known.

There’s definitely potential for their to be enough superheroes for a Civil War by the time Avengers 4 comes out. So far we know we’ll have Iron Man, Captain America, The Hulk, Thor, Black Widow, Hawkeye, Scarlet Witch, The Vision, Quiksilver, Dr. Strange, Ant-Man, Daredevil, Luke Cage, Iron Fist, Jessica Jones, and the Guardians of the Galaxy. So if there are three years between Avengers sequels and Avengers 4 comes out around 2021…

Oh god, 2021? Could they really have long term plans for that long? Will I even care about these Marvel movies?

Anyway, it might be a better idea to have Tony and Steve’s fallout center not around a government legislation as Tony has already proven to not trust the government with his tech but maybe centered around something else, like say, the creation of a killer robot? Maybe that creation of the killer robot is what causes Tony to not trust himself while Steve, due to the S.H.I.E.L.D. fallout from Winter Soldier doesn’t trust the government thanks to Hydra infiltration. Then again, if Tony already doesn’t trust the government I can’t see him trusting it anymore after he learns everything about the Hydra and S.H.I.E.L.D. scandal.

So there’s potential to have a whole slew of super heroes running around by the time Avengers 4 comes out. For me though, the heroes versus heroes storyline is kind of boring. It may be a trope but I’d much prefer if by the end of Civil War a much larger threat reunites Cap. and Iron Man to take on said threat. That’s just me though.

Mythology is not a lie…

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“Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth–penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.” – Joseph Campbell

Killing Off Wolverine is the Right Decision by Marvel.

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The Death of Wolverine is an event comic currently running at Marvel by Charles Soule and Steven McNiven and I could not be happier the 5’3 Canadian is being killed off. He has become the most oversaturated and uninteresting comic character without any clear or consistent motivation for years now.

He is an Avenger. He is an X-Men. He is part of a black-ops team. He founded and teaches at a new school for mutants. He was possesed by a demon. He discovered his past. He lost his healing factor. He does what has to be done e.g. murder, cut, and dismember people including his own son but doesn’t want young mutants to be on the frontlines when the X-Men are needed. This is just the last ten years of stories for Wolverine so obviously death might be one of the few storylines left to explore with this character. The problem is, with a timeline that basically perpetually frozen so their characters don’t age all of this jumbling of progress and motivation has made Logan impossible for me to care about.

The other problem is that he’s in every book. In one book he’s lecturing Scott Summers about how teenagers aren’t soldiers, in another he’s telling Captain America that sometimes killing is the only solution, in another he’s drinking beers with Spider-Man playing the gruff stoic friend to Peter Park and then in another he’s killing people with his teenage clone X-23 with the rest of his black ops team. The character needs consistency and if they need to kill him off to do that then I am all for it.

There is no change in comics, just the illusion of change. Wolverine coming back from the dead isn’t an eventuality but an inevitability. Hopefully he is in a limited capacity, like say, in one solo ongoing and one team book. If he’s going to be in the Avengers, don’t put him in X-Force or the X-Men. If he’s in one ongoing where he’s trying to fight moon mutant don’t have another one where he’s underneath the Earth’s soil marrying a mole woman. When you put him in all these different books so close together acting differently than he does in all the other books he appears in you’re telling me that Wolverine doesn’t matter, the storyline doesn’t matter, and making me well aware of the illusion of change.

For people who don’t read comics it is much easier to like Wolverine. He is like the definition of power fantasy. He has sharp blades coming out of his hand, he heals from almost anything, has a clear purpose in life (finding out his past) while doing and saying whatever he wants because he’s not to be messed with. Imagine what it’s like to be around that guy all the time but everytime you hang out he contradicts himself. That is what it’s like to read Wolverine in comics.

So go ahead Marvel, kill him. Make X-23 the new Wolverine for a couple of years, explore what motivates her and then when you bring Wolverine back give him a motivation I can get behind instead of plopping him into a story to raise sales of an issue. It makes sense to me. One of the most interesting storylines to happen to Batman in the last couple of years was for Bruce to get lost in time while Dick Grayson took on the mantle. While you’re at it, kill off Deadpool too.

Never Going to Watch HBO’s The Leftovers.

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In The Leftovers, based on the novel by Tom Perrotta and developed by Damon Lindelof (Lost, Prometheus) a mysterious, a event has occurred making 2% of the world’s population disappear. Both the Perrotta and Lindelof have said here and here have said it isn’t about the mystery but about how the characters react and change to it.

That’s well and good but it isn’t the kind of storytelling for me. I need both, character development and answers to the mystery. The whole point of even having a mystery in a story is to eventually answer it. What Lindelof loves doing instead is using the mystery in order to explore his pseudo philosophy about the meaning of life, a mystery that he cannot answer. I already have a story like that, we all do, it’s called life and I am not looking for the ambiguity of life in the stories I consume. The problem I have with his style of writing is either he doesn’t answer the question or the answers he provides are so anti-climactic (Lost & Prometheus) that I am left feeling like I wasted my time. The fear of their time being wasted, in my personal opinion, is why people hate spoilers. When you spoil a story for someone you’ve essentially taken the joy of discovery away from them thus watching, reading, listening to it is now a waste of time. With Lindelof everything I have watched by him makes me feel like I’ve wasted my time because his character development doesn’t connect with me, his protagonist often coming off unlikable, ineffectual and his answers are either not there or disappointing.

Modern mystery and thriller novels have the opposite problem. All the stories has is answers, answers I’ve usually figured out early into the book. Without the character development in their protagonist the journey to the answers I already guessed isn’t very interesting to me.

Plus, what I don’t understand is what does that character development even mean if there is no resolution or a poor one? What makes it matter? That’s not what interests Lindelof as a writer. So I am not interested in his writing and I am not going to waste my time with The Leftovers.

Resisting Reading.

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I haven’t always been an avid reader. I have always had great reading skills but reading books for leisure was something I resisted up until I went to college.

I was often bullied, made fun of and nicknamed from elementary school until the end of junior high school. Nerd & Geek culture wasn’t like it is now. If you were different, you were bullied and you couldn’t be more different if you did anything that fell into that kind of nerdy category like reading for fun. That was something losers did, losers who tried to be smart and being smart meant you were an outsider. It wasn’t cool and it wasn’t what being a man meant. This is, of course, the opinion of the 6 to 12-year-olds who bullied me and even amongst some of my peers. I honestly don’t remember people who were good at math getting the same chagin and those who read books for fun. It was either sports, video games, professional wrestling or cool action movies. Never books.

It’s not as if my parents didn’t try. They read to me as a smaller child and every time they went to the library they would ask me if I wanted anything. “No,” I would say and play through Super Mario World for the 50th time. When a Border opened up for the first time near our house, I believe around when I was 12ish, is when my parents got me to read some books. It wasn’t many though. In fact, it was a series by Bruce Coville that started with Aliens Ate My Homework. 

I can think of so many times I was bored in the library, walking up and down the aisles. I wonder how many times I passed J.R.R. Tolkien, Stephen King, or Douglas Adams walking those aisles. Instead of reading it I would wait for the library to get the latest copy of Nintendo Power. That’s how I discovered the Nintendo 64, through the library’s copies of that magazine.

The dilemma I faced though was that I wanted to be a writer. It’s hard to be a writer if you’re so resistant to liking books. If you look at my 6th grade yearbook, when they ask what you wanted to do when you grow up I wrote movie script writer instead of writer or novelist because writing wasn’t cool but movies were.

Then when I met who would become my best friend from 8th grade to 12th and he introduced me to hip-hop I suddenly had a new world to explore that I never had before. In my mind, writing other genres of music was about playing instruments first and lyrics second. With hip-hop, it was mostly about the words and the rhythm of words. When he would ask me to join his rap group, I suddenly had an outlet for my writing. I wasn’t very good at the performing part but I love writing lyrics. So many marble notebooks just filled with lyrics and song ideas.

I was always good at reading though. When Shakespeare was taught in class I had no struggle with the language. Spelling and vocabulary tests were what I lived for. When my 10th grade English teacher showed us Finding Forrester I immediately connected with it.

Then we had a major falling out and I was left without my main group of friends. Suddenly I hated writing, very resistant of it. I associated writing with that friendship and I had no desire to do it anymore. Without music or writing I had to think of what I was like before I met my highschool group of friends. Besides video games I would read comic books. My dad would bring home bundles of Spider-Man, Green Lantern and The Simpsons comic books for me to read. I remember this shop my mom used to hate bringing me to because the parking lot was so bad and immediately looked it up. There, I saw Green Lantern Rebirth #3 and asked the clerk about it. He found me copies of the first and second issue and that’s where my comic book habit started and my love for reading began to grow strong again.

It was when I went to a Barnes & Noble for the first time that I started transitioning from comic books to books. It all began with this beautiful leather bound copy of The Hitchhiker’s Guide to the Galaxy then at Christmas I got an equally beautiful copy of The Lord of the Rings. It’s been all about books since then.

Paper People.

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“It’s not real. And beyond that, when you’re dealing with characters, they exist on paper. They’re real in that context. I always say they’re much more real than we are because they have much longer lives and more people know about them. But we get people reading superhero comics and going, ‘How does that power work? And why does Scott Summers shoot those beams? And what’s the size of that?’ It’s not real! There is no science. The science is the science of ‘Anything can happen in fiction and paper’ and we can do anything.
“We’ve already got the real world. Why would you want fiction to be like the real world? Fiction can do anything, so why do people always want to say, ‘Let’s ground this’ or ‘Let’s make this realistic.’ You can’t make it realistic because it’s not. So basically Batman is 75 years old, and Robin is 74 years old. They don’t grow old because they’re different from us. They’re paper people.” – Grant Morrison

The Appeal of Pete Holmes’ Podcast: You Made It Weird.

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I love podcasts, to a ridiculous level now. I listen to podcasts more than I do music and more than I watch television or movies. Think of it as talk radio but without the limitations of, well anything. Anything can be a podcast, and anything is a podcast.

One particular podcasts though that I’ve stuck with since it started was by stand-up comedian Pete Holmes, former host of the Pete Holmes Show that ran earlier this year. Beginning in 2011 with the running theme of talking about comedy, sex, and religion. At the beginning, when Pete is learning how to host a podcast this theme is strictly enforced but when it fades into just being the underlying themes of the show is when it really takes off while the length of the podcast starts to get longer.

It is essentially WTF with Marc Maron if it was hosted by Pete Holmes, but the host is what makes the difference. I’m not going to compare the two but Maron’s podcasts tend to delve into what has happened in the guests’ life while Pete’s podcast explores what the guest thinks about life.

It appeals to my brain on a couple levels, all having to do with curiosity. After writers, comedians tend to be the group that hold in the highest regard followed by musicians. So on Pete’s podcast I get a peek behind the curtain. I get to hear comedians not only talk about their own personal beliefs about comedy but about their lives. These are people I admire for their ability to make me laugh opening up about the screwed up childhoods, families, and experiences they had or their individual philosophies on what the meaning of all this is.

I don’t know what your perception is of comedians but if it is shallow in anyway I highly recommend giving any comedic podcast a chance, not just You Made It Weird with Pete Holmes because, and T.J. Miller put in nicely on a recent episode, the last generation of comedians such as George Carlin, Richard Pryor and Bill Hicks were activists on stage while the newer generation rising in fame in the 21st Century have become the philosophers. You’d be surprised at the depth these people get into, which I imagine comes from having to think about life in order to find what is funny about it.

On top of that it scratches that curiosity that comes from our culture of celebrity. These are people I admire, so in a sense they’re my celebrities. Therefore on Pete’s podcast I get the celebrity gossip of straight from the source. Some people read gossip magazines or websites but I get mine out of their mouths on podcast.

Another part, and I have this experience with writers as well, I get to learn about the process. Stand-up comedians are essentially a kind of writer, aurator, performer combination and just like writers, comedians tend to have narcissistic tendencies so of course they want to talk about the career they are passionate about. From Pete’s podcast you learn the jargon, you learn how comedians develop, how they develop differently, how they write jokes and what it’s like behind the stage. I didn’t know what barking was before listening to his podcast, nor did I know there was a difference between the comedy scene in Boston, New York and L.A. I learned which clubs, theaters and places are great to perform at in a certain city and state and how the comedy boom began, ended and how the alternative comedy scene rose to compete with the club scene.

The best part though is just how funny comedians are being themselves, not their ego version of themselves that perform on stage. When you listen to You Made It Weird it is like being in on the inside jokes, and you get to hear material before it’s material, when it’s just something they thought and decided to say. Then what happens is you hear about a stand-up you’ve never heard before become humanize and you say to yourself Oh, they have an special or an album out? I’ll check that out. 

Pete Holmes stand-up comedy is fantastic, real great comedian. His talk show, now cancelled, was a sort of filter version of his podcast plus his stand-up. His podcast though? It’s an exploration of comedy on a depth that I explore stories in college as an English major. That’s why I love it and I highly recommend anyone giving it a chance.

You Made It Weird with Pete Holmes on Nerdist.com

His podcast in Itunes: Subscribe here.