Writing A Novel Vs. Writing A D&D Campaign.

I’ve set a deadline for myself. By the time I turn 31 on April 23rd my novel will be finished. I am talking final draft, not the first draft, as I only have five chapters to finish editing.

At the same time, I’ve become the Dungeon Master for my D&D group. Writing and developing a D&D campaign, at least, I thought would be simple compared to writing a novel. I thought since worldbuilding is so much fun, that it would be a walk in a park. Oh ho, no. It is a very different beast entirely. I wouldn’t say it is more difficult but it is difficult because it is different.

Unless you plan a whole campaign before you start there are no second drafts i D&D. You write what you need and move on. Most of it is improvised anyway especially minor NPC (Non-Player Character) names like the merchant or regular at the tavern your players decide to get into a fight with.

With the characters in your novel, you have complete control over their actions, personalities, and decisions. In D&D, the players are the characters and you have little to no control over them unless you want to make a boring campaign. On the other hand, it takes a lot more pressure off you to write good protagonists. That’s up to the players.

The world of a novel, especially fantasy, can be more organic. The rules are looser. With D&D, there are so many rules. You have to keep track of them for your players, your NPC’s, and the monsters they fight.On the other hand, D&D is supposed to be fun. It doesn’t have to be this deep exploration of human nature. There are no inner

On the other hand, D&D is supposed to be fun. It doesn’t have to be this deep exploration of human nature. There are no inner monologues to worry about. A D&D campaign, in fact, can be a lot more vague since the Dungeon Master isn’t the sole storyteller. The players can and will change the story. This can be both frustrating and freeing.

With a novel, though, unless you are a published author, it’s all on you. You have to sit down and write your story first draft then second draft then third draft then final draft. A D&D campaign is vaguer. You have to take into account how long a session takes, everyone’s plans for the week, what level the characters are at, and where they may want to go.

If the main villain of your novel is in a certain building of course your protagonist is going to wind up confronting him. Not necessarily so in D&D. The players might decide to burn that building down, as we decided to do in my friend’s campaign, instead of confronting the main baddie of that particular storyline who had story beats for us to follow.

It’s much easier, at least for me, to communicate through writing then it is through speaking. Therefore, theater of the mind is much more difficult to work with. I don’t need extensive maps for my novel because I can convey a scene with as many words as I need but with D&D, if they’re going into a dungeon I am definitely going to need a map because there is a lot to remember.On the subject of dungeons, if my protagonist in a novel is in one I can glaze over

On the subject of dungeons, if my protagonist in a novel is in one I can glaze over certain room if they’re not important to the story. Not so with D&D. My player may end up exploring every room of a castle and I need some kind of description, however short, for all of them.

The antagonists has to be one of the most difficult parts. Well, really, anything that involves balancing the game versus telling a good story is what is so difficult. A villain can’t be so overpowered that it is an obvious party kill but he can’t be so underpowered that any threat he makes, plot-wise, goes unappreciated or unconcerned. Same goes for just about any encounter or plot element of your campaign.

However, a D&D is more accepting of aspects you try to eliminate from your writing when it comes to a novel. Your players are inhabiting archetypes, so giving their characters typical archetypal stories is fine. Tropes, cliches, and parody is welcomed rather then eliminated in later drafts.

Plus, though novels don’t have to do this either, a D&D campaign can be silly and less serious. If you tell a good story in your campaign, you get validation every session by the joy your players are having A novel takes much longer to get that validation.

A friend, fellow writer, and former Dungeon Master himself tells me being a DM will likely make me a better writer. I can see where that stems from but what I get out of it now is combining my love for storytelling and worldbuilding with friends who I love to be around.

Brandon Sanderson’s Cosmere Beyond The Well of Ascension.

If one shouldn’t judge a book by a cover, even though that’s basically what book covers are for then one might also try to never judge an author by one book.

Where Brandon Sanderson was concerned I did exactly that. While the first two books I read by the fantasy author, Elantris, and Mistborn: The Final Empire belong with some of my favorite fantasy novels the second Mistborn novel, The Well of Ascension, left a bad taste in my mouth that has kept me away from  all Sanderson novels since 2012.

We find Vin after having defeated the Lord Ruler, who has acted as their god for a thousand years, and being reunited with the man she loves has become an angsty teenage brat in her early twenties. Elend and the remaining members of Kelsier’s crew from the first novel don’t act any better. Then there’s Zane. Oh, Zane, you are a shitstain of a villain.

This isn’t about shitting on The Well of Ascension, and believe me, I could for at least a thousand more words. The point is, the second Mistborn book left a bad taste in my mouth that stopped me from reading anymore Brandon Sanderson novels from 2012 to late 2015.

Fellow frequents readers and bibliophiles will empathize with this. Your “To Read” pile increases much faster than your “Read” pile. Therefore, you may own a book but not necessarily have read it yet. Then one of your friends starts reading one of those books you own and it awakens a fire in you. “I have a competition in me,” you might say, “I want no one else to succeed.” They can’t finish that book before you, you’ve owned that book for years! You have the first edition!

Maybe it’s more like, you want to be part of something, a story, a world, or an experience along with your friend at the same time he’s going through it. Simultaneously, this happened me to with Sanderson’s
series and the 2nd Era of Mistborn. I had one friend who long since read The Alloy of Law and was breezing through The Shadows of Self. Another had started The Way of Kings with praise all around for it.

So, despite my apprehension, I dived in. The Alloy of Law immediatly grabbed me. I had missed with the world of Scadrial. The powers of Alomancy and Feruchemy greeted me like an old friend. The book was sprinkled with hints of a history I was familiar with.

The Way of Kings beginning was a slog through muddy swamp water. The beginning is mind-bogglingly slow but when you reach the other side it’s like walking into an oncoming storm. Everything is happening, everything is connected, and nothing will be the same. I was hooked.

I ate up books from the Cosmere like I was starving. Shadows of Self, Words of Radiance, and The Bands of Mourning were all read before March 2016 even hit. I reread the first two Mistborn books and while I still hated The Well of Ascension I knew it was one bad book out of many amazing ones.

Finally, after refusing to read it back in 2012 I picked up the third Mistborn book, The Hero of Ages. You have to remember I had already read three of the books from the second Mistborn series. I knew the fates of Vin, Elend, Sazed and the rest of Kelsier’s former crew. You’d think already knowing what happen it wouldn’t hit as hard but that third book’s ending is still devastating.

All this in mind, when I finally read Sanderson’s new novella, Mistborn: Secret History I wasn’t prepared for what happened. I wasn’t prepared for the reunion with some of my favorite characters. I wasn’t prepared for this interwoven plot that is Brandon Sanderson’s Cosmere. I was blown away.

Finally, I ended my journey where I began with Elantris. That was the book that made me fall in love with Sanderson’s writing that I had somehow lost struggling to hate-read through The Well of Ascension.

Maybe, though, that break from his book is what I needed. I washed the bad taste of the second Mistborn book out of my mouth and returned to his Cosmere older and with a new perspective on stories and writing. I am highly anticipating my next chance to go exploring through the Cosmere when Oathbringer, the third Stormlight Archive book comes out.

The Coziest Fantasy Novels When You’re Snowed In.

The snow is falling, it’s too early to shovel, and you’re stuck in the house. The perfect time to go to a whole other world. I mean, that’s what fantasy novels are for, right?

Maybe you’re cold, tucked under layers of clothes and blankets, and sitting around your heater. You’re in that state that comes with blizzards, halfway between wakefulness and cozy relaxation. You’re awake but if you laid down now it might be the best nap you’ve ever taken.

Perhaps you’re not in the mood for the bleakness of certain fantasy novels such as George R.R. Martin’s A Song of Ice and Fire or Joe Abercrombie’s The First Law series. Fantasy’s not known for its coziness but it has its moments.

Before it becomes darker in the later volumes, Harry Potter’s first three books The Philosopher’s Stone (or The Sorcerer’s Stone), The Chamber of Secrets, and The Prisoner of Azkaban lean more towards children’s novels then the latter. Before Harry discovers the dark side of the Wizarding World and his past he gets to see the light side like a cup of warm hot chocolate.

But you’re all grown up, and you’ve already read through those enough times that you need something new. While Brandon Sandersons’s Mistborn and Stormlight Archives are much more intense, his debut novel Elantris unravels the mystery of its world more slowly. The story crecendos with the right amount of action perfect for reading with a single lamp with a blanket wraped around you.

Neil Gaiman’s American Gods seems like it was written for getting snowed in. It’s a road trip across America and across the mytholigical landscape of the past. With Norse mythology involved you know they’ll be snow.

Patrick Rothfuss’s The Name of the Wind can be harsh, but not intense the same way grimdark novels can be. It’s more melancholic than grim. There’s a sadness to it that you can appreciate sitting down at your kitchen table after shedding your snow boots and warm your hands back to normal temperature.

Maybe you want a bit more adventure and a lot more snark. After shovelling your driveway you can laugh at Sam Sykes’ characters constant quips. The pacing is slow, but the story never bores you. It’s part of what’s great about Sam Sykes’ style of writing, he takes in time developing his plot and letting his characters breathe like real people.

The Hobbit and The Lord of the Rings always felt like the perfect for books to read during a snow storm.  It has that feel of a classic novel or of a story being read to you by a parent.

Then when you’re done, if you’re shivering in your home, then you can pick up A Game of Thrones and start reading.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Should Book Readers Watch Game of Thrones’ Sixth Season?

On April 24th, for the first time since the show premiered, readers of George R.R. Martin’s A Song of Ice and Fire series will be completely in the dark about the fate of Westeros and its characters.

Martin recently announced that The Winds of Winter is not finished nor will it be in time for release before the premier of season six. As far as whether the next season will spoil the books Martin answers “Maybe. Yes and No.”

Season five saw the biggest divergence of the stories yet with the death of major characters that still live on within the books. Not only that but budgetary and time restraints has certain characters from the books completely absent from the show. So no, their stories will not be spoiled.

The bottom line is that all the most beloved characters will have their stories spoiled for readers of the series. That includes Tyrion, Jaime, and Cersei Lannister, Arya, Sansa, and Bran Stark (Maybe Rickon too?), Daenerys, her dragons, and all of Meereen. The Greyjoys, the Martells, the Boltons, the Baratheons, the Tyrells, the Night’s Watch, the Brothers Without Banners, The Wildlings, and even the Others will all have their stories spoiled. The amount of characters free of being spoiled is negligent compared to this amount.

Readers are then left with a decision, to continue or stop watching Game of Thrones. With HBO looking to renew Game of Thrones for up to eight seasons that leaves those on the fence with some math to consider. It is likely that within those three years The Winds of Winter will be released, but what of the final book in the series A Dream of Spring? That might likely not be released until after the series has ended, based on the time the sixth book has taken to release.

So are you, dear A Song of Ice and Fire readers, able to resist not only spoilers for three years as the show airs but also five years and change for the release of the next two books?

Let’s be clear, A Song of Ice and Fire has a huge audience but the show’s is even larger. It’s not simply a series you watch but a social event that you discuss. To avoid spoilers for five years plus may ostracise you socially unless you fill that void by talking about other shows, events, and sports that take up pop culture. That’s an extreme view of it, you may go about your life avoiding spoilers all the times like it’s no big deal. It’s not like Game of Thrones is always publically discussed

It’s not like Game of Thrones is always publically discussed, covered constantly by the media, or posted about across social media. It’s not as if HBO releases a string of trailers and preview for seasons that recap the previous ones while discussing upcoming ones. It’s not as if the amount of spoilers released between the time of the first Star Wars: The Force Awakens teaser and the time of its release are any indication of the difficulty it will be avoiding spoilers.

That’s one year. One year between the teaser and the release of Episode VII. In that time, it had two localized trailers, an international trailer, a teaser, and television footage. It’s actually quite remarkable how we collectively agreed as a fandom not to spoil the movie for each other.  Can your recall Game of Thrones viewers

Can you recall Game of Thrones viewers being that kind? Were you one of those who lorded over your knowledge from the book to your friends? Did you record their reactions to the Red Wedding? Do you think they may be petty enough to get their revenge? Seeing videos of people reading books while their friends cackle in the background doesn’t sound as exciting.

Still, this may be an opportunity for the showrunners to completely diverge from the direction of the books. They may have no choice with the elimination and death of certain characters. HBO may get their wish, in the end, to have a season nine happen giving Martin more time to release the next two books. Even less likely, but not impossible, is Martin may have A Dream of Spring better planned out in his head as he envisioned the series ending after three books, then five, and now seven (and even contemplated an eighth book.)

No matter the outcome, some spoilers are inevitable. You’ll have to decide if you will remain unsullied or not from them.

 

Goodreads | Joshua’s Year in Books

via Goodreads | Joshua’s Year in Books.

My favorite new books I read:

  1. Uprooted by Naomi Novik
  2. The Last Argument of Kings by Joe Abercrombie
  3. Best Served Cold by Joe Abercrombie
  4. Sage by Brian K. Vaughn
  5. Assassin’s Apprentice by Robin Hobb
  6. The Way of Kings by Brandon Sanderson
  7. Rat Queens by Kurtis J. Wiebe
  8. Half the World by Joe Abercrombie
  9. The Alloy of Law by Brandon Sanderson
  10. Hundred Thousand Kingdoms by N.K Jemisin
  11. The Writer’s Guide to Everyday Life in the Middle Age by Sherrilyn Kenyon
  12. The City Stained Red by Sam Sykes
  13. Super You by Emily V. Gordon
  14. A Dark Shade of Magic by V.E. Schwab

In no particular order.

Biggest disappointments

  1. The Buried Giant by Kazuo Ishiguro
  2. Dragonflight by Anne McCaffrey
  3. Wildwood by Colin Meloy
  4. Half A War by Joe Abercrombie
  5. The Children of Hurin by J.R.R. Tolkien

A Muppet Family Christmas Blew My Mind As A Kid.

Still my absolute favorite Christmas special. When I was a kid and saw it the first time I couldn’t believe. This was before  I ever saw comic book crossovers, Flintstones Meet the Jetsons, or Who Framed Roger Rabbit? so when the Muppets walk into Emily Bear’s farmhouse and meet Doc and Sprocket from Fraggle Rock I had a lot of questions.

“So, wait, Fozzie’s mom knows Doc? Does that mean…” I didn’t have time to process when carolers soon showed up at the Farmhouse door. The Sesame Street gang? Wait, THEY  ALL KNOW EACHOTHER? Even as a kid I remember thinking “Oh yeah, Kermit is on Sesame Street. That makes sense he’d know them.”

So the Muppets and Sesame Street are all together with Doc and Sprocket. Does that mean Fraggles are part of this world too? Soon enough, Kermit and his nephew Robin meet the Fraggle gang. Then they all meet to carol at the end. All my favorite characters together at Christmas? All this needed for me as a kid was the Ninja Turtles and I would have passed out.

Before fanboy was even a word. Before Star Wars, The Lord of the Rings, Game of Thrones, DC Comics, Marvel Comics, Doctor Who, or anything else I currently am obsessed with it was Jim Henson’s creations, Disney movies, and Ninja Turtles.

I still watch this every year.

When Star Wars: Episode I Came Out I Didn’t Hate It, I Was Bored By It.

With Star Wars: Episode VII – The Force Awakens four days away I was trying to remember how I felt after I saw The Phantom Menace. As evidenced by this video, a lot of people thought they liked it.

The thing is, when The Phantom Menace came out I liked Star Wars, but I was not the fan I am now. As a kid, I had watched A New Hope, back when it was just called Star Wars, repeatedly on channel 11 movie night. I mean, it felt like they played it every month, but that’s probably an exaggeration. I knew the other two movies existed, but it wasn’t until a shocked friend lent me his Original Trilogy box set on VHS that I finally saw Empire Strikes Back and Return of the Jedi. Even then I had thought Empire Strikes Back was an amazing movie but Star Wars to me were just good movies.

So when I saw The Phantom Menace opening week with a group of my friends I had no horse in that race. It was me, Brian (who had lent me the tapes, Mike, Chris, and one other person though who that was I can’t decide between two people.

Here is what I remember: I thought the movie was boring. I remember eating my popcorn intently just for there to be something to do to make time go by faster. I didn’t care about little orphan Anakin, the political landscape of Naboo, or the silly antic of Jar Jar Binks. I didn’t think he was funny, but I wasn’t immediately like “Oh god, he’s the worst character ever.” That came years later. I was interested when characters I knew came on like R2D2 and C-3PO, but the pod racing sequence nearly put me to sleep. I wasn’t outraged by the introduction of midichlorians  because I wasn’t paying attention. Oh look, Yoda, I know him. Oh, Padme’s really the handmaiden, that’s a twist. The lightsaber fight was cool, probably the only part of the movie  that caught my interest,

The movies end and my first reaction were that I didn’t care.  I remember Mike being obsessed with the movie. He thought the pod racing scene was the best part, even buying the terrible Star Wars Episode I Racer game. I remember him convincing me to rent from Blockbuster and being annoyed I had wasted my five dollars on such a boring game.

I don’t remember Chris and Brian’s reaction, but I believe Brian was the first to turn to The Dark Side of the Force, hating the movie as most do today. I just wanted to get back to Brian’s house to play more Super Smash Bros. on Nintendo 64 and trade Pokemon to evolve my Haunter into Gengar. I didn’t care about Star Wars: The Phantom Menace. I probably told my friends I liked it, wanting to fit in, but I really had initially thought it was just okay.  I would feel that way initially about the other two also.

Most dislike the prequels because it waters down the mythology of Star Wars. The unstoppable villain, whose presence of unlimited powers has us scared for our heroes in the original trilogy is now a whiny brat and dumb teenager. The mysticism of the flow is now midichlorians in the blood stream. The Order of the Jedi was like an ancient order of knights long since gone turned into a bunch of ninjas who jump around that can’t sense a clone trooper about to shoot  them in the head.

I don’t like those things either but what really makes me angry with the prequels is how damn boring they are. Where’s the snark? Where’s the fun? Where are the jokes?

For my Shakspeare nerds, we go from having Bendick and Beatrice to Claudio and Hero. No one likes Claudio and Hero. There just part of the plot for the real romance of Much Ado About Nothing. Han and Leia’s sexual tension is fun, lovable, and full of insults. Anakin and Padme are just gross. Hopefully, and judging from the trailers it does, the new trilogy balance that fun and seriousness like the originals do. Having the original cast certainly helps.

I’m far too used to Doctor Who and Comic Books to angry with screw ups in the     mythology. With science fiction, there’s always a way to make new continuity that fixes the mistakes. There already starting to do with what we know of The Force Awakens. The prequels made Darth Vader a joke, so how do you counter react that? You make him a myth. That is what he has become to Kyle Ren and his new order, or, at least, that’s the theory.

The problem I have, in hindsight, with the Star Wars prequels is the problem I always pretended not to have when they were being released. I didn’t have any fun watching them.

A Problem: “It’s Game of Thrones. They’ve got to kill someone.”

Recently, Ian McElhinney voiced his disappointment about the fate of his character, Barristan Selmy in season five of Game of Thrones. One of the top comments I saw on social media stated “It’s Game of Thrones. They’ve got to kill someone.”

That might be a problem. After watching season five, you could imagine that same comment coming from the writer’s rooms. “Well, it’s Game of Thrones. We’ve got to kill someone.”

Let’s leave the differences from the books out of it for now. Focus on that perception of the show. If you’re constantly trying to raise the stakes and shock the viewers by eliminating characters, you’re entirely missing the point. What you want to do is put your characters is more dire consequences.

Okay, I lied, I’m going to talk about the books. This is exactly what happens to Barristan Selmy towards the end of the A Dance with Dragons. Daenerys is missing  and as the Lord Commander of the Queensguard he left not only to uncover a conspiracy by her husband Hizdahr zo Loraq (Also killed off) but prepare for oncoming armies head for Meereen.

The show should be building tension and not desperately trying to shock. That is what felt off about season five of Game of Thrones. They’re are, in a sense, desensitising us all to the shock that shook us in all when Ned Stark and Khal Drogo died in season one. No one is going to care anymore if all you do is kill off characters.

Featured image: Ser Barristan – by Mike Capprotti ©

Author Sam Sykes Tweets About Writing, Characters, and Emotions (Plus My Two Cents).

You should read Sam Sykes’ The City Stained Red, Patrick Rothfuss’s Kingkiller Chronicles Series, and Joe Abercrombie’s The First Law trilogy.